"Buckley" by Sam Ewing had its release date on July 21, 2023. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Buckley's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Paradise City (Original Motion Picture Soundtrack)". In this album, this song's track order is #5. In terms of popularity, Buckley is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Buckley by Sam Ewing having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Last Dream Before Dying | Rob Cairns | F♯ Minor | 5 | 11A | 75 BPM | ||
| Reunited | David Buckley | G Major | 2 | 9B | 86 BPM | ||
| Luce's Test | Mark Isham | F♯ Major | 7 | 2B | 107 BPM | ||
| Almost Kiss | Robert Duncan | C Minor | 0 | 5A | 120 BPM | ||
| Accepting What We Can't Accept | Chanda Dancy | G Minor | 1 | 6A | 85 BPM | ||
| Mom’s Got Work | Adam Taylor | A Minor | 4 | 8A | 174 BPM | ||
| Bright Eyes | Caleb Etheridge | G Major | 2 | 9B | 112 BPM | ||
| Boobrie | Carlos Rafael Rivera | C Minor | 3 | 5A | 120 BPM | ||
| Abduction | Andrew Lockington | B♭ Minor | 3 | 3A | 96 BPM | ||
| Mother’s Run | Craig Armstrong | D♭ Minor | 6 | 12A | 176 BPM | ||
| Blended | Eldar Dadashov, Edmelody | B Minor | 2 | 10A | 74 BPM | ||
| Générique d'Artagnan | Guillaume Roussel | D Minor | 3 | 7A | 170 BPM | ||
| Aloha | Sam Ewing | B Major | 1 | 1B | 89 BPM | ||
| I'm Free | Paul Leonard-Morgan | G Major | 1 | 9B | 134 BPM | ||
| Let It Burn | Sam Ewing | D♭ Major | 2 | 3B | 126 BPM | ||
| Leaving for the Trial | Atli Örvarsson | C Minor | 1 | 5A | 134 BPM | ||
| Nothing Matters Out Here | Sherri Chung | D Minor | 3 | 7A | 117 BPM | ||
| Sentient | Gruber | B Major | 2 | 1B | 67 BPM | ||
| Abby's Had Enough | Sam Ewing | F Major | 3 | 7B | 140 BPM | ||
| In the Dirt | Siddhartha Khosla | F Minor | 0 | 4A | 171 BPM | ||
| Shotgun Blast to the Face | Sam Ewing | F Minor | 6 | 4A | 100 BPM | ||
| To Him We Shall Return | David Buckley | C Minor | 0 | 5A | 100 BPM | ||
| Nothing To Lose | Andrew Lockington | G Minor | 1 | 6A | 71 BPM | ||
| Family Duel and Sophie's Dream Waltz | Theodore Shapiro | G Major | 3 | 9B | 175 BPM | ||
| Genius | Luke Richards | F Minor | 3 | 4A | 129 BPM |