Still Corners's 'The Message' had a release date set for August 17, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Slow Air". In this album, this song's track order is #2. In terms of popularity, The Message is currently fairly popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Message by Still Corners having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Season Song | Blue States | B♭ Major | 4 | 6B | 97 BPM | ||
| Nomad | Σtella, Redinho | A Minor | 5 | 8A | 77 BPM | ||
| Sugar for the Pill | Slowdive | G Major | 5 | 9B | 98 BPM | ||
| Love Again | Meltt | F♯ Minor | 5 | 11A | 160 BPM | ||
| There's A Place | Tokyo Tea Room | C Major | 4 | 8B | 105 BPM | ||
| Silent Rain | Keep Shelly In Athens | A Major | 5 | 11B | 142 BPM | ||
| Still Cruisin' | Jimmy Whoo, Alsy | D♭ Minor | 9 | 12A | 104 BPM | ||
| Static | Still Corners | A Minor | 4 | 8A | 117 BPM | ||
| Roller Disco | Jonathan Bree | G Major | 5 | 9B | 120 BPM | ||
| The Ship | Still Corners | D Minor | 5 | 7A | 127 BPM | ||
| Perfect World | Jimmy Whoo, Lomboy | C Minor | 4 | 5A | 97 BPM | ||
| Peacock | Le Blonde | E Minor | 8 | 9A | 132 BPM | ||
| Descending | Holy Motors | G Major | 6 | 9B | 109 BPM | ||
| Things Are Changing | Tokyo Tea Room | G Major | 6 | 9B | 90 BPM | ||
| Foaming | Day We Ran | A♭ Major | 7 | 4B | 130 BPM | ||
| X Marks | MØAA | C Major | 6 | 8B | 110 BPM | ||
| Gouge Away | REEPERBAHN FESTIVAL COLLIDE, Nation of Language | E Minor | 9 | 9A | 120 BPM | ||
| All That We've Become | Society | A Minor | 9 | 8A | 160 BPM | ||
| Undress Me Now | Morcheeba | G Minor | 4 | 6A | 95 BPM | ||
| Stonecutters | DOPE LEMON | D Major | 7 | 10B | 149 BPM | ||
| Again And Again | Jagged Jaw, MINOVA | G Minor | 6 | 6A | 182 BPM | ||
| Alice | The Underground Youth | E♭ Minor | 8 | 2A | 150 BPM | ||
| Fog Rolls In | Doombird | B Major | 4 | 1B | 108 BPM | ||
| White Sands | Still Corners | A Minor | 8 | 8A | 161 BPM | ||
| Space to Bakersfield | Black Mountain | B Minor | 7 | 10A | 75 BPM |