"Alone" by Otomizu had its release date on February 5, 2022. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 12 in Alone by Otomizu. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Alone is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alone by Otomizu is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 生き神 | Marihiko Hara | A♭ Minor | 1 | 1A | 89 BPM | ||
| Shift Register | シフトレジスタ | David Edren, H.Takahashi | A Minor | 3 | 8A | 67 BPM | ||
| Yellow Calcite | Imaginary Softwoods | D Minor | 1 | 7A | 173 BPM | ||
| idyll | marine eyes | F♯ Major | 2 | 2B | 92 BPM | ||
| Thousand Bells, Pt. 1 | Yui Onodera, Takashi Kokubo | B♭ Major | 2 | 6B | 80 BPM | ||
| Around this Space | Innesti | C Major | 3 | 8B | 81 BPM | ||
| Cocktail | Otomizu | D Major | 1 | 10B | 80 BPM | ||
| splashes of ink | Nathan Kawanishi | A Minor | 2 | 8A | 140 BPM | ||
| Fading | Otomizu | F♯ Major | 1 | 2B | 71 BPM | ||
| Normal | Rhucle | C Minor | 0 | 5A | 76 BPM | ||
| Rear View | Tujiko Noriko | C Major | 0 | 8B | 138 BPM | ||
| Thousand Bells, Pt. 2 | Yui Onodera, Takashi Kokubo | C Major | 4 | 8B | 136 BPM | ||
| Declination | Dreone | E♭ Minor | 2 | 2A | 125 BPM | ||
| kanbuu | Michiru Aoyama | A Minor | 1 | 8A | 88 BPM | ||
| chamomile | marine eyes | E Major | 2 | 12B | 132 BPM | ||
| A Shift of Attention Across Lines, Colors and Patterns | Wouter Veldhuis | F♯ Major | 0 | 2B | 69 BPM | ||
| memories of younger days (that never existed) | Koshun Nakao | C Major | 1 | 8B | 69 BPM | ||
| High Pasture | Snufmumriko | E♭ Major | 2 | 5B | 138 BPM | ||
| dama | Michiru Aoyama | D♭ Major | 1 | 3B | 135 BPM | ||
| Phase 15 | Endel, Laraaji | C Minor | 0 | 5A | 112 BPM | ||
| 喰われ歌 (イントロ) | kita kouhei | E Minor | 2 | 9A | 83 BPM | ||
| Wanderer | HAL ca | D Major | 7 | 10B | 170 BPM | ||
| Wishful Thinking | Shuta Yasukochi | G Major | 1 | 9B | 86 BPM | ||
| Woodland Encounter | Patricia Wolf | E Minor | 9 | 9A | 144 BPM | ||
| When Everything Fades - Applefish Rework | Matt Tondut, We Dream of Eden, Applefish | C Major | 2 | 8B | 84 BPM |