"Missed Call" by Scott Lucille had its release date on August 10, 2020. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Scott Lucille's "Girl from San Francisco" album is number 5 out of 9. Based on our statistics, Missed Call's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missed Call by Scott Lucille to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bittersweet Symphony | Chase Eagleson, Sierra Eagleson | E Minor | 2 | 9A | 133 BPM | ||
| Under The Starlight | Benmont Tench | B♭ Major | 1 | 6B | 81 BPM | ||
| Avalon | Kid Reverie, Sarah Wolsey | G Major | 2 | 9B | 134 BPM | ||
| On My Toes | Henry No Hurry, Maciej Smycz | C Major | 3 | 8B | 144 BPM | ||
| Ode to the Unseen Self | S F H | A♭ Minor | 1 | 1A | 90 BPM | ||
| Mother's Eyes | John Blek | B♭ Major | 1 | 6B | 111 BPM | ||
| Only One Joan | Chip Taylor | A Major | 1 | 11B | 140 BPM | ||
| Shitty Weather | Pilgrims, Paul Noonan, Brian Crosby | D Major | 1 | 10B | 134 BPM | ||
| Ride On (Lonely Rider) | John Peter and His Collaborators | F Major | 3 | 7B | 109 BPM | ||
| Ray Of Sunshine - Original Mix | Aruhtra, Scott Lucille | B♭ Major | 1 | 6B | 111 BPM | ||
| The Rocky Shores of England | Sons of Town Hall | B♭ Major | 1 | 6B | 111 BPM | ||
| Tollkeeper | John Armistead | C Major | 3 | 8B | 183 BPM | ||
| Last Pour | Austin Carreys | B♭ Major | 1 | 6B | 111 BPM | ||
| Folsom | Scott Lucille | E Major | 4 | 12B | 78 BPM | ||
| Scenery | Oxsener | E Minor | 2 | 9A | 138 BPM | ||
| Please Turn Over | Sean Kearns | A Major | 5 | 11B | 122 BPM | ||
| Irish Exit | Greg Johnson | B♭ Major | 6 | 6B | 92 BPM | ||
| Finding Myself Again | Non Talkers | A Minor | 3 | 8A | 130 BPM | ||
| Quarter Past | Peter Deaves | A Major | 1 | 11B | 131 BPM | ||
| The Partisan | Adrian Crowley | B♭ Major | 1 | 6B | 111 BPM | ||
| East to West | Terra Spencer, Stephen Fearing | C Major | 2 | 8B | 131 BPM | ||
| Oranges from the Port | Heigh Chief. | B♭ Major | 1 | 6B | 111 BPM | ||
| History | Mike Reid, Joe Henry | F Major | 2 | 7B | 133 BPM | ||
| Fibonacci's Cuppa | Kid Reverie, Sarah Wolsey | B♭ Major | 1 | 6B | 111 BPM | ||
| The Calling of a Dream | Gregory Boivin | F Major | 3 | 7B | 95 BPM |