- BPM
- 73
- Key
- F Major
- Camelot
- 7B
Macbeth, Act III: Ballet Music by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado Song Details
"Macbeth, Act III: Ballet Music" by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado had its release date on January 1, 1976. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Macbeth by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #2 out of 31 tracks. Based on our data, Germany was the country where this track was produced or recorded. Macbeth, Act III: Ballet Music is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Macbeth, Act III: Ballet Music by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Macbeth, Act III: Ballet Music being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 16%
- Loudness
- -19.92 dB
- Acousticness
- 96%
- Danceability
- 25%
- Energy
- 6%
- Instrumentalness
- 76%
- Liveness
- 19%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Chorus, RCA Italiana Opera Orchestra, Fernando Iacopucci, Dorothy Krebill, Harold Enns, Gene Boucher, Sherrill Milnes, Thomas Jamerson, Nancy Stokes, Camillo Sforza, Franco Ruta, Flavio Tasin | C Major | 4 | 8B | 70 BPM | |
 | Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | |
 | Sono andati? (Mimì/Rodolfo) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | A♭ Major | 0 | 4B | 173 BPM | |
 | Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM | |
 | Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | B Major | 1 | 1B | 80 BPM | |
 | Madama Butterfly, Act II: Coro a bocca chiusa "Humming Chorus" | Giacomo Puccini, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | |
 | Sempre libera | Maria Callas | D♭ Major | 2 | 3B | 126 BPM | |
 | La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 83 BPM | |
 | Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | |
 | La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | |
 | La traviata, Act II: Che fai? Nulla | Giuseppe Verdi, Plácido Domingo, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 3 | 7B | 89 BPM | |
 | Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | |
 | Lohengrin, WWV 75, Act III: Treulich geführt ziehet dahin "Bridal Chorus" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | |
 | Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly) | Giacomo Puccini, Sir John Barbirolli, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 2 | 2B | 60 BPM | |
 | Suor Angelica: Senza mamma, o bimbo | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 3 | 7B | 75 BPM | |
 | Il Trovatore: Coro di zingari | Giuseppe Verdi, Christer Solén, Staffan Sandlund, Eric Ericson, Orphei Drängar, Swedish Radio Symphony Orchestra, Leif Segerstam | G Major | 4 | 9B | 141 BPM | |
 | Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | |
 | La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | |
 | Macbeth: Preludio | Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari | B♭ Minor | 0 | 3A | 116 BPM | |
 | Mozart: Die Zauberflöte, K. 620, Act 2 Scene 8: No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin) | Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players | F Major | 3 | 7B | 76 BPM | |
 | Cavalleria rusticana: Part I: Regina coeli, laetare (Chorus, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 82 BPM | |
 | Lakmé / Act 1: "Dôme épais" - Live | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | B Major | 1 | 1B | 77 BPM | |
 | Anvil Chorus from Il trovatore - Vocal | Giuseppe Verdi, James Levine, Metropolitan Opera Orchestra, Metropolitan Opera Chorus, Plácido Domingo | G Major | 3 | 9B | 138 BPM | |
 | Verdi: La Forza del Destino: La Vergine degli Angeli | Renata Tebaldi | G Major | 2 | 9B | 130 BPM | |
 | Rigoletto, Act II: Povero Rigoletto! ... La rà, la rà | Giuseppe Verdi, Audrey Michael, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Wiener Staatsopernchor | E Minor | 1 | 9A | 66 BPM |
- ISRC
- DEF057631221
- Label
- L-M Records/RCA Records