On 1988, the song "Come on Come On" was released by Cheb Tati. Come on Come On is considered explicit and may contain foul language. This song is about 3 minutes and 19 seconds, which is about the average length of a typical song. The song is number 4 out of 10 in El Hammam by Cheb Tati. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Come on Come On's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Come on Come On by Cheb Tati is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lala Llali | Aflak | E Minor | 9 | 9A | 143 BPM | ||
| Ya Assafa Alik | Jil Jilala | B♭ Major | 5 | 6B | 124 BPM | ||
| Talet Biya Lyame | Lamchaheb | D♭ Major | 4 | 3B | 206 BPM | ||
| Beslama | Cheb Hasni | C Minor | 9 | 5A | 91 BPM | ||
| ولاف يا قلبي | Moulay Ahmed El Hassani | G Major | 6 | 9B | 125 BPM | ||
| Oued Choli | Cheikha Djenia | B Minor | 6 | 10A | 92 BPM | ||
| Jbal El Gharb Gheybou | Mourad Djaafri | A Minor | 6 | 8A | 98 BPM | ||
| I lloul waqchiche | Chérifa | D♭ Major | 8 | 3B | 121 BPM | ||
| Mazyoun | Astekan Khaleji | B Major | 10 | 1B | 109 BPM | ||
| Nergoud ala ouadniy | Nasro | E♭ Minor | 8 | 2A | 92 BPM | ||
| Saknet Marseille | Mazouzi | B♭ Major | 5 | 6B | 124 BPM | ||
| La Baita Wahdi | Cheb Hasni, Cheba Zohra | D♭ Major | 9 | 3B | 152 BPM | ||
| Faoutili benti | El Hindi | A Major | 8 | 11B | 92 BPM | ||
| Chaft lamhenna fi aaynik / شفت المحنة في عينيك | Moulay Ahmed El Hassani | B Major | 6 | 1B | 119 BPM | ||
| El houari | Houari Marsaoui | B♭ Minor | 7 | 3A | 114 BPM | ||
| Guitar Guilt | CoryCoolie | F Minor | 4 | 4A | 135 BPM | ||
| Ntia sbabi | Cheb Tati | C Major | 4 | 8B | 100 BPM | ||
| Marrakech | Aflak | A Minor | 5 | 8A | 101 BPM | ||
| Malkoum Ya Jirani | Chaba Zahia | F Minor | 7 | 4A | 119 BPM | ||
| Baghi natlag | Houari Benchenet | B Major | 8 | 1B | 182 BPM | ||
| Jani Sekrane | Cheb Zahouani, Cheb Hindi, Cheba Zohra, Cheb Athmane | B Major | 8 | 1B | 96 BPM | ||
| Sahbi | Lotfi Attar, Raïna Raï | B♭ Major | 5 | 6B | 124 BPM | ||
| Lala Zhour | Hamidou | D♭ Major | 9 | 3B | 113 BPM | ||
| Anoui-Ilan | Fahem | D Major | 6 | 10B | 104 BPM | ||
| Kobbi Kobbi | Cheb Mami | F Minor | 3 | 4A | 162 BPM |