"Introduction à Hotteterre" by Matthieu Metzger had its release date on March 1, 2016. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Amarillis, Louis Sclavis, Matthieu Metzger, Jean Philippe Feiss's "Inspiration baroque" album is number 4 out of 15. On top of that, France appears to be the country where this track was created. Introduction à Hotteterre is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Introduction à Hotteterre by Matthieu Metzger to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Eco de Un Tambor: 5. Variación #2 | Prism Quartet, Miguel Zenón | A Major | 1 | 11B | 69 BPM | ||
| Trois Strophes sur le nom de Sacher: I. Un poco indeciso | Henri Dutilleux, Christian-Pierre La Marca | B♭ Major | 1 | 6B | 83 BPM | ||
| Fantasia and Fugue in G Minor, BWV 542 (Arr. for Reed Quintet by Jelte Althuis): I. Fantasia | Johann Sebastian Bach, Calefax Reed Quintet | G Major | 1 | 9B | 116 BPM | ||
| Infinite Echoes | Astrid Voix | C Major | 0 | 8B | 129 BPM | ||
| Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | C Major | 0 | 8B | 129 BPM | ||
| Green | Henrik Hallberg, Klaus Gesing, Niklas Wennström, Johan Käck | B Minor | 0 | 10A | 75 BPM | ||
| Visions, Pt. 2 "Winter": Picture 2 | Tomasz Trzcinski | D♭ Major | 1 | 3B | 68 BPM | ||
| Ellerimin Bildiği / What My Hands Know / Was meine Hände wissen | H. Umut Asil | C Major | 0 | 8B | 80 BPM | ||
| Walking Through the Fields | Uli Doenitz | D♭ Minor | 0 | 12A | 96 BPM | ||
| From Honey to Ashes: XI. The Ajman | Stephen Goss, Francisco Correa, Emily Andrews | C Major | 0 | 8B | 129 BPM | ||
| Past Thoughts | Freddie Colonal | C Major | 0 | 8B | 125 BPM | ||
| Allegro | Carl Reinecke, Agharahim Gouliyev, Vurghun Vakilov | E Minor | 1 | 9A | 88 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | C Major | 0 | 8B | 129 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Song of the Birds | Pau Casals, Daniel Müller-Schott | C Major | 0 | 8B | 130 BPM | ||
| Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
| Variations On Spanish Themes | Miroslav Vitous | A Minor | 1 | 8A | 143 BPM | ||
| Travel The World Together | Jubilee Keys, Diamond Tone | C Major | 0 | 8B | 129 BPM | ||
| Horn Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Imre Magyari, Ilona Prunyi | A Major | 1 | 11B | 145 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| Hearts | Lone Runner, Matthieu Metzger | C Minor | 2 | 5A | 120 BPM | ||
| Rondeau - Intrusion | Jean Barrière, Ensemble Amarillis, Louis Sclavis, Matthieu Metzger, Jean Philippe Feiss | F♯ Minor | 1 | 11A | 120 BPM | ||
| Choralgesänge: No. 91, Es ist genug; so nimm, Herr, meinen Geist (O Ewigkeit, du Donnerwort), BWV 60 | Johann Sebastian Bach, Alessandro Simonetto | C Major | 0 | 8B | 129 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM |