Lee Aaron's ' "Hold Out" was released on its scheduled release date, January 1, 1984. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lee Aaron's "Metal Queen" album is number 8 out of 10. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Hold Out is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Hold Out by Lee Aaron to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forever Young | Tyketto | A Minor | 9 | 8A | 108 BPM | ||
| Wanna Be Loved | House Of Lords | A Minor | 9 | 8A | 118 BPM | ||
| Lick It into Shape | Smashed Gladys | F♯ Minor | 9 | 11A | 135 BPM | ||
| Without Love | Black 'N Blue | B♭ Major | 10 | 6B | 121 BPM | ||
| Once Upon a Time | Shadow King | F Minor | 8 | 4A | 112 BPM | ||
| Funny Business | Honeymoon Suite | G Major | 8 | 9B | 92 BPM | ||
| Ride the Storm | Shotgun Messiah | B♭ Minor | 6 | 3A | 130 BPM | ||
| Someone Like You | Bang Tango | F♯ Major | 8 | 2B | 147 BPM | ||
| Love You Till It Hurts | Chrissy Steele | G Major | 10 | 9B | 132 BPM | ||
| Notorious | Loverboy | D Major | 9 | 10B | 157 BPM | ||
| Tell Me Please | Killer Dwarfs | A♭ Major | 9 | 4B | 123 BPM | ||
| Dream with Me | Lee Aaron | A♭ Major | 5 | 4B | 119 BPM | ||
| I Want More | Shotgun Messiah | A♭ Major | 8 | 4B | 140 BPM | ||
| Break Down The Wall | Stone Fury | A Minor | 9 | 8A | 134 BPM | ||
| Mistreatin' Heart (Remastered) | Santers | A Major | 9 | 11B | 130 BPM | ||
| White Highway | Saraya | A Minor | 9 | 8A | 102 BPM | ||
| Closer to Your Love | Britny Fox | D♭ Major | 8 | 3B | 132 BPM | ||
| Boys Will Be Boys | Danger Danger | D Major | 9 | 10B | 124 BPM | ||
| Operator Central | Haywire | A Major | 9 | 11B | 126 BPM | ||
| Dying for Love | Jean Beauvoir | A♭ Minor | 9 | 1A | 115 BPM | ||
| Just One More Time | Headpins | A Major | 8 | 11B | 122 BPM | ||
| Lonely Road | Killer Dwarfs | A♭ Major | 8 | 4B | 137 BPM | ||
| Monkey See Monkey Do | Wildside | D♭ Major | 7 | 3B | 103 BPM | ||
| Young Wild and Free | Brighton Rock | D Major | 7 | 10B | 136 BPM | ||
| Blondes In Black Cars | Autograph | D Major | 9 | 10B | 141 BPM |