Timeflies's 'Why'd It Have To Be Now' had a release date set for August 25, 2017. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Why'd It Have To Be Now's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 5 in the song's album "Too Much". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Why'd It Have To Be Now's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Why'd It Have To Be Now by Timeflies having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cherry on Top (feat. Marc E. Bassy & TYSM) | Felix Snow, Marc E. Bassy, TYSM | B Minor | 4 | 10A | 100 BPM | ||
| In Case You Miss Me | Matthew John Kurz | A Major | 6 | 11B | 97 BPM | ||
| Quit You | Lost Kings, Tinashe | F Major | 8 | 7B | 98 BPM | ||
| OBVI (feat. Elliott Yamin) | Sanjoy, Elliott Yamin | C Minor | 9 | 5A | 123 BPM | ||
| still standing still (feat. Lostboycrow) | flor, Lostboycrow | A♭ Major | 5 | 4B | 98 BPM | ||
| Vibes | Griffin Stoller | D♭ Minor | 8 | 12A | 151 BPM | ||
| As We Fall | Peter Kiemann, Jordi Davis, Katie Wright | A Major | 7 | 11B | 140 BPM | ||
| Clearly | Dylan Hyde | D Major | 7 | 10B | 120 BPM | ||
| Drunk Enough to Say That I Love You | PLVTINUM | B♭ Major | 8 | 6B | 128 BPM | ||
| LA Vibes | Abstract, Jonny Koch, Blulake | D♭ Major | 7 | 3B | 102 BPM | ||
| Casual | Alex Adair | D Minor | 8 | 7A | 111 BPM | ||
| Semi-Charmed | Timeflies | G Major | 7 | 9B | 120 BPM | ||
| Sitcom | Coleman Hell | D♭ Major | 7 | 3B | 100 BPM | ||
| Everyday (feat. DRAM & Kyle) | The Americanos, KYLE, DRAM | A♭ Major | 7 | 4B | 75 BPM | ||
| Leave (feat. Kevin Garrett) | Whole Doubts, Kevin Garrett | B♭ Major | 6 | 6B | 95 BPM | ||
| We Were Young - Sokko Extended Remix | Gareth Emery, Alex & Sierra, Sokko | A♭ Major | 8 | 4B | 128 BPM | ||
| Just A Kid (feat. Kevin Writer) | Two Friends, Kevin Writer | A Major | 7 | 11B | 120 BPM | ||
| Passenger Side | Smallpools | B Minor | 8 | 10A | 102 BPM | ||
| Human Touch - The White Panda Remix | Betty Who, White Panda | B Minor | 6 | 10A | 105 BPM | ||
| Look Where We Are | Sean Jacobs | E Minor | 6 | 9A | 100 BPM | ||
| Pretend You're Missing Me | Betty Who | A♭ Major | 7 | 4B | 102 BPM | ||
| We Could Go Back | Jonas Blue, Moelogo | A♭ Major | 8 | 4B | 100 BPM | ||
| OT | John K | F♯ Major | 3 | 2B | 100 BPM | ||
| Be Like You - Dante Klein RMX | CVBZ, Dante Klein | G Minor | 7 | 6A | 95 BPM | ||
| North Dakota - Le P Remix | Mako, Le P | E Major | 7 | 12B | 120 BPM |