"II. Rather Fast" by Aaron Copland, Martin Fröst, Malmö Symphony Orchestra, Lan Shui had its release date on June 30, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 9 in Clarinet Concertos Dedicated to Benny Goodman by Martin Fröst, Malmö Symphony Orchestra, Lan Shui. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, II. Rather Fast's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of II. Rather Fast by Aaron Copland, Martin Fröst, Malmö Symphony Orchestra, Lan Shui is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An Irish Symphony: In the Antrim Hills | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | F Major | 0 | 7B | 79 BPM | ||
| Summon the Heroes | John Williams, Boston Pops Orchestra | G Major | 4 | 9B | 81 BPM | ||
| Simple Gifts | Aaron Copland, David L. Brunner, National Youth Choir of Scotland, Royal Scottish National Orchestra, Christopher Bell | A♭ Major | 1 | 4B | 133 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: II. Ostinato | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | C Major | 0 | 8B | 112 BPM | ||
| Grand Canyon Suite: 4. Sunset | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | D Major | 1 | 10B | 84 BPM | ||
| Wood Notes: IV. Whippoorwill's Shoes: Humorously | William Grant Still, Fort Smith Symphony, John Jeter | C Major | 1 | 8B | 116 BPM | ||
| 4 Scottish Dances, Op. 59: No. 1, Pesante | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | C Minor | 2 | 5A | 116 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
| Fra Holbergs tid, Op. 40: V. Rigaudon (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 134 BPM | ||
| Suite No. 1, P. 109: IV. Passo Mezzo E Mascherada: Allegro Vivo | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 2 | 10B | 137 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Symphony No. 4 in D Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 69 BPM | ||
| Firebird Suite: Finale | Igor Stravinsky, George Szell, Cleveland Orchestra | D♭ Minor | 0 | 12A | 129 BPM | ||
| Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | F Minor | 0 | 4A | 92 BPM | ||
| Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
| Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
| Rodeo: No. 3, Ranch House Party | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Háry János Suite: VI. Entrance of the Emperor and His Court | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | A♭ Major | 2 | 4B | 131 BPM | ||
| Concerto For Clarinet & String Orchestra | Benny Goodman, Aaron Copland | D Minor | 2 | 7A | 85 BPM | ||
| English Suite: Jaunt | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 125 BPM |