On September 2, 1997, the song "Ghagar Geli Futun" was released by Vaishali Samant. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Ghagar Geli Futun and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Ghagar Geli Futun is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ghagar Geli Futun by Vaishali Samant to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dhanya Dhanya Ti Saileela Haay | Sai bhakti, Rajesh Ranshur | E Major | 9 | 12B | 110 BPM | ||
| Hari Bhajani Gheta Godi | Vishnubuva Wavanjekar | F♯ Minor | 7 | 11A | 126 BPM | ||
| Bhimnagar Jhalai Ga | Milind Shinde | A♭ Major | 7 | 4B | 92 BPM | ||
| Dhak Dhak Manat Zalaya Suru | Uttara Kelkar, Sudesh Bhosle | D Minor | 7 | 7A | 113 BPM | ||
| Majhya Devach Darshan Gheshil Ka | Mahendra Kapoor, Shaila Chikhale | G Major | 9 | 9B | 79 BPM | ||
| Daryache Barobari | Santosh Nayak, Shaila Chikhale | E♭ Major | 5 | 5B | 80 BPM | ||
| Premacha Vara Angat Shirlay Ga | Avdhut Gupte, Vaishali Samant, Tyagraj Khadilkar | F Major | 8 | 7B | 102 BPM | ||
| Bhimrayacha Mala | Vitthal Umap | F Major | 5 | 7B | 158 BPM | ||
| Amrutacha Kara | Shaila Chikhale, Shrikant Narayan | F♯ Major | 5 | 2B | 83 BPM | ||
| Yamai Mothya Manachi | Popatrao Sonwane | A♭ Minor | 10 | 1A | 115 BPM | ||
| Maan Velavuni Dhund Bolu Nako | Arun Date | A♭ Major | 3 | 4B | 74 BPM | ||
| Maza Lageen Tharala | Vaishali Samant | A♭ Major | 6 | 4B | 97 BPM | ||
| Gauri Ganpatichya Sanala | Vitthal Uamap | F♯ Major | 7 | 2B | 77 BPM | ||
| Vakun Taak Sada | Surykant Shinde | E♭ Minor | 9 | 2A | 97 BPM | ||
| Dady Maajh Varaad Kara | Santosh Nayak, Anant Panchal, Shaila Chikhale | E♭ Major | 6 | 5B | 83 BPM | ||
| Kanha Ghagar Geli Re Futun | Vijay Sartape | E Major | 6 | 12B | 128 BPM | ||
| Bahon Main Mujhko (Raoji) | Vaishali Samant | A♭ Major | 6 | 4B | 115 BPM | ||
| Sarva Sukhache | Vishnubua Vavnjekar | B♭ Minor | 7 | 3A | 93 BPM | ||
| Khelatana Rang Bai Holicha | Sulochana Chavan | A Major | 8 | 11B | 111 BPM | ||
| Yedamai Nighali Panyala G | Chandan Kamble | D♭ Major | 10 | 3B | 107 BPM | ||
| Dattatreya Guru Tumhich Na | Sameer Vijaykumar | D Major | 6 | 10B | 152 BPM | ||
| Radu Nako Bala Mi Panyala Jate | Gayatri Salve | B♭ Minor | 8 | 3A | 104 BPM | ||
| Swami Samarth Mauli (feat. Manasi Naik, Tanmay C. Patekar24) | Mayur Sukale, Manasi Naik, Tanmay C. Patekar24 | C Major | 5 | 8B | 110 BPM | ||
| Jogava Magen | Sakhrabai Tekale, Gajrabai Bumbhe, Chandan Kamble | A Minor | 9 | 8A | 109 BPM | ||
| 777 Rupaye | Rishikesh Kamerkar, Avadhoot Gupte, Vaishali Samant | F♯ Major | 8 | 2B | 98 BPM |