"The Ten Commandments" by Elmer Bernstein had its release date on January 1, 1957. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 17 out of 18 in Cecil B. De Mille's The Ten Commandments (1960 Stereo Recording) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Ten Commandments's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Ten Commandments by Elmer Bernstein is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missing Love Time | Luciano Lombardi | E♭ Major | 1 | 5B | 110 BPM | ||
| That’ll Do | Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 100 BPM | ||
| Laramie | Geoff Love | A Minor | 3 | 8A | 126 BPM | ||
| Prelude and Main Title March | John Williams | F Major | 4 | 7B | 59 BPM | ||
| A Wishing Doll | Elmer Bernstein, Marc Johnson, Bill Frisell, John Scofield, Peter Erskine | B Minor | 1 | 10A | 126 BPM | ||
| Back To The Future - Original Score/End Credits | The Outatime Orchestra | F Major | 2 | 7B | 111 BPM | ||
| Eddie on Tracy Island | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| Around the World – Part I | Victor Young, United Artists Studio Orchestra | E♭ Major | 3 | 5B | 130 BPM | ||
| Prelude - The 10 Commandments | Elmer Bernstein | E♭ Major | 2 | 5B | 110 BPM | ||
| 007 Takes the Lektor - From Russia With Love,1963 | Sean Connery, John Barry Orchestra | B Minor | 9 | 10A | 157 BPM | ||
| Reprise / Fly Away | John Ottman | E Minor | 3 | 9A | 64 BPM | ||
| Theme (From "The Pink Panther") | Royal Liverpool Philharmonic Orchestra, Carl Davis | F Major | 2 | 7B | 118 BPM | ||
| End Credits - The Rescuers Down Under - From "The Rescuers Down Under" | Bruce Broughton | C Major | 1 | 8B | 133 BPM | ||
| Pledge | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 3 | 7A | 115 BPM | ||
| 4-50 from Paddington - Railways | Dominik Scherrer | F♯ Minor | 4 | 11A | 140 BPM | ||
| Main Title / Locutus | Star Trek - First Contact | F Major | 1 | 7B | 139 BPM | ||
| Star Trek (Main Title) | Alexander Courage, Gerald Fried, Bob Karlan | B♭ Major | 3 | 6B | 73 BPM | ||
| Record Breaker | Craig Safan | A♭ Major | 1 | 4B | 112 BPM | ||
| Opening Escape | John Powell, Harry Gregson-Williams | A♭ Major | 3 | 4B | 118 BPM | ||
| The Voyage To Mordor; Theme From The Lord Of The Rings | Leonard Rosenman | B♭ Major | 3 | 6B | 120 BPM | ||
| Little Secrets / Power of the Sun | John Ottman | A Minor | 1 | 8A | 87 BPM | ||
| Theme From All Creatures Great And Small | The Remotes | D Major | 5 | 10B | 112 BPM | ||
| The Show's Over | Howard Shore | C Minor | 2 | 5A | 93 BPM | ||
| ET | Berlin Film Orchestra | C Major | 2 | 8B | 132 BPM | ||
| Discovery | Elmer Bernstein | F Major | 1 | 7B | 67 BPM |