Pat Metheny Group's ' "Night Turns Into Day - Live Version" was released on its scheduled release date, November 10, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Trio-Live". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Night Turns Into Day - Live Version is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Night Turns Into Day - Live Version by Pat Metheny Group having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Touchdown | Bob James | C Major | 4 | 8B | 117 BPM | ||
| Geastrum Coronatum | Andreas Vollenweider, Walter Keiser, Pedro Haldemann | F Minor | 5 | 4A | 125 BPM | ||
| Hide & Seek (Ready Or Not Here I Come) | Chuck Mangione | F Minor | 7 | 4A | 110 BPM | ||
| Clear Air For Miles | Acoustic Alchemy | D Minor | 4 | 7A | 126 BPM | ||
| Oops | Steps Ahead | D Major | 6 | 10B | 90 BPM | ||
| Aqua Marine | Santana | E Minor | 5 | 9A | 175 BPM | ||
| In The Shadows | Bob Berg | D Minor | 6 | 7A | 96 BPM | ||
| Now or Never | Hiromi, Anthony Jackson, Simon Phillips | D Major | 7 | 10B | 101 BPM | ||
| My Song | Keith Jarrett, Jan Garbarek, Palle Danielsson, Jon Christensen | C Major | 1 | 8B | 120 BPM | ||
| Music Room | Wayne Krantz | C Major | 4 | 8B | 92 BPM | ||
| Travels | Pat Metheny Trio | G Major | 2 | 9B | 109 BPM | ||
| Valleys Of Valhalla | Gino Vannelli | F Major | 6 | 7B | 150 BPM | ||
| With Every Breath | The Omar Hakim Experience | F Minor | 4 | 4A | 136 BPM | ||
| Beijing Demons | Al DiMeola Project | A Major | 5 | 11B | 111 BPM | ||
| Secrets - Remastered | Allan Holdsworth | D Major | 5 | 10B | 132 BPM | ||
| Blue Azure | Shakatak | G Major | 3 | 9B | 114 BPM | ||
| From Nowhere To Now Here | Philippe Saisse | D♭ Major | 7 | 3B | 97 BPM | ||
| A Remark You Made | Weather Report | A♭ Major | 2 | 4B | 105 BPM | ||
| In the Presence and Absence of Each Other (Pt. 1) | Ogerman & Brecker | G Major | 5 | 9B | 169 BPM | ||
| The Dream | Novecento, Dominic Miller | B♭ Minor | 8 | 3A | 90 BPM | ||
| Clint | John Abercrombie, Marc Johnson, Peter Erskine | B Minor | 4 | 10A | 118 BPM | ||
| Smacks Of Euphoric Hysteria | Brand X | B Minor | 5 | 10A | 105 BPM | ||
| Evolution | Mezzoforte | A Minor | 7 | 8A | 120 BPM | ||
| Imaginary Day | Pat Metheny Group | C Major | 5 | 8B | 120 BPM | ||
| When I Look In Your Eyes | Brian Bromberg, David Benoit | C Major | 7 | 8B | 123 BPM |