"Tara River" by Rosey Chan had its release date on March 26, 2021. This song appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Sonic Apothecary". In this album, this song's track order is #4. Tara River is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tara River by Rosey Chan having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Swan - Reimagined | Camille Saint-Saëns, Verwey | F♯ Major | 0 | 2B | 92 BPM | ||
| Air | Arelius | D Major | 1 | 10B | 68 BPM | ||
| Anna's Theme | Eydís Evensen | C Major | 0 | 8B | 67 BPM | ||
| Two on the Breakwater | Angus MacRae | F Minor | 4 | 4A | 120 BPM | ||
| Broken Time Machine | Carnet De Voyage, Rosey Chan, Mimi Xu | B♭ Minor | 6 | 3A | 100 BPM | ||
| Ghostly Waltz | Carnet De Voyage, Rosey Chan, Mimi Xu | E♭ Minor | 2 | 2A | 80 BPM | ||
| Duology | Sharon Bezaly, Rosey Chan | D Minor | 3 | 7A | 58 BPM | ||
| Euphoria Denied | Pêtr Aleksänder | F Minor | 1 | 4A | 94 BPM | ||
| The Half Light | Peter Cavallo | C Minor | 0 | 5A | 206 BPM | ||
| Near (Piano Rework) | Liam Phan | F Major | 1 | 7B | 132 BPM | ||
| Willow | Marie Denis | F Major | 1 | 7B | 125 BPM | ||
| Tra Bo Dau (Arr. Huws for Harp) | Alis Huws | E♭ Major | 0 | 5B | 78 BPM | ||
| 10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose | Edward MacDowell, Michele Nobler | A Major | 0 | 11B | 76 BPM | ||
| Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
| Chasing the Present | Snorri Hallgrímsson | F Minor | 1 | 4A | 208 BPM | ||
| saman (Arr. Lawson for Saxophone & Ensemble) | Jess Gillam, Jess Gillam Ensemble | E♭ Major | 1 | 5B | 107 BPM | ||
| Leaving With Swans | Nils Holst | E♭ Major | 0 | 5B | 68 BPM | ||
| The Desire | Peter Cavallo | C Minor | 3 | 5A | 88 BPM | ||
| Written on the Sky | Max Richter, Lavinia Meijer | B♭ Minor | 0 | 3A | 144 BPM | ||
| Melodies of the Upper Worlds (Arr. M. Ayrapetyan for Piano): XIII. To Proclaim in the Morning About Your Mercy | Baal HaSulam, Mikael Ayrapetyan | A Major | 0 | 11B | 70 BPM | ||
| Dappled Light | Luke Howard, Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 0 | 3A | 129 BPM | ||
| Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | ||
| Sans Regrets | Jordane Tumarinson | D Major | 0 | 10B | 90 BPM | ||
| Home Sweet Home | Pieter de Graaf | B♭ Major | 1 | 6B | 170 BPM | ||
| Remains (Munich Session) | Carlos Cipa | D Major | 0 | 10B | 86 BPM |