- BPM
- 84
- Key
- F Minor
- Camelot
- 4A
Berceuse, Op. 38 by Camille Saint-Saëns, Irène Duval, Angus Webster Song Details
"Berceuse, Op. 38" by Camille Saint-Saëns, Irène Duval, Angus Webster had its release date on September 6, 2024. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 12 in Fauré and Friends by Irène Duval, Angus Webster. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Berceuse, Op. 38 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Berceuse, Op. 38 by Camille Saint-Saëns, Irène Duval, Angus Webster is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -22.898 dB
- Acousticness
- 99%
- Danceability
- 13%
- Energy
- 6%
- Instrumentalness
- 92%
- Liveness
- 11%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | |
 | Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Irena Grafenauer, Eduard Brunner, Markus Steckeler, Edith Salmen-Weber | C Major | 3 | 8B | 103 BPM | |
 | Satie / Orch. Debussy: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Georges Prêtre, Orchestre National De France | G Major | 0 | 9B | 74 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
 | 3 Gymnopédies: No. 1 in D Major: Lent et douloureux | Erik Satie, Pascal Rogé | G Major | 0 | 9B | 82 BPM | |
 | Adoration (Arr. Gray for Violin & Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM | |
 | 3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall) | Franz Liszt, Nora von Marschall | B♭ Major | 0 | 6B | 85 BPM | |
 | Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | |
 | Chanson Indoue - Arranged for Cello and Harp by Miriam Keogh | Nikolai Rimsky-Korsakov, None, Sebastian Comberti, Miriam Keogh | F Major | 1 | 7B | 97 BPM | |
 | Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | |
 | Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | |
 | Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | |
 | 16 Waltzes, Op. 39 (1867 Version): No. 15 In A Flat Major | Johannes Brahms, Idil Biret | D Major | 1 | 10B | 143 BPM | |
 | Mendelssohn - Lieder, S547/R217 (7 Lieder From Mendelssohn, Op, 19a, 34, 47) : Auf Flugeln Des Gesanges(From Op. 34, No. 2) | Joseph Banowetz, Franz Liszt | A♭ Major | 0 | 4B | 149 BPM | |
 | There Will Come | Rebecca Dale, Philharmonia Orchestra, Michael Collins, Steven Isserlis | B♭ Major | 1 | 6B | 67 BPM | |
 | Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 1 | 8A | 111 BPM | |
 | Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) | Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens | D Major | 0 | 10B | 73 BPM | |
 | Jeux d'enfants, Op. 22: No. 3, La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | |
 | Abodah (God's Worship) (Arr. Cello) | Ernest Bloch, Sheku Kanneh-Mason | B Minor | 0 | 10A | 134 BPM | |
 | Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | |
 | Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | |
 | Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 179 BPM | |
 | The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | |
 | 3 Gymnopédies: No. 1, Lent et douloureux (Orch. C. Debussy) | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | G Major | 0 | 9B | 136 BPM |
- ISRC
- DEB262400237
- Label
- L-M Records/RCA Records