- BPM
- 85
- Key
- A Major
- Camelot
- 11B
アヴェ・マリア by 蒲原史子 Song Details
"アヴェ・マリア" by 蒲原史子 had its release date on April 21, 1995. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 祈り〜アヴェ・マリア, so we believe that "アヴェ・マリア" is a single. アヴェ・マリア is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of アヴェ・マリア by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
Music Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.481 dB
- Acousticness
- 94%
- Danceability
- 26%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | |
 | Les nuits d'été, H. 81b: Le spectre de la rose, H. 83b | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B Major | 1 | 1B | 73 BPM | |
 | A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 125 BPM | |
 | アベマリア | Charles Gounod, Johann Sebastian Bach, 篠崎ゆかり | C Major | 1 | 8B | 119 BPM | |
| Norma, Act 2 Scene 3: Deh! Non volerli vittime (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | |
 | 弦楽セレナード ホ短調 作品20: 第3楽章: Allegretto | Edward Elgar, 石田泰尚, 石田組 | F Major | 3 | 7B | 116 BPM | |
 | Ravel: Vocalise-étude en forme de habanera, M. 51 | Maurice Ravel, Barbara Hendricks, Sir John Eliot Gardiner, Orchestre de l'Opéra de Lyon | G Major | 0 | 9B | 109 BPM | |
 | Delibes: Lakmé, Act 3: Berceuse. "Sous le ciel tout étoilé" (Lakmé) | Léo Delibes, Michel Plasson, Natalie Dessay, Orchestre Du Capitole De Toulouse | C Minor | 0 | 5A | 172 BPM | |
 | Rigoletto / Act 1: "Gualtier Maldè! ... Caro nome" | Giuseppe Verdi, Angela Gheorghiu, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F♯ Major | 6 | 2B | 83 BPM | |
 | Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | |
 | アヴェ・マリア（千住真理子・山洞 智編） | ヴラディーミル・ヴァヴィロフ（伝:ジュリオ・カッチーニ）, Mariko Senju, 山洞 智 | F Minor | 0 | 4A | 88 BPM | |
 | 「マドンナの宝石」 間奏曲 第1番 | エルマンノ・ヴォルフ・フェラーリ, 岩城宏之, NHK交響楽団 | F Major | 1 | 7B | 126 BPM | |
 | The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | |
 | カッチーニのアベマリア | カッチーニ, Karoly Kovacs | G Major | 1 | 9B | 88 BPM | |
 | Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Er überwächst uns schon | Gustav Mahler, Izabella Kłosińska, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | |
 | 夢の渚 -The Silent Service- - インストゥルメンタル・バージョン | Akira Senju | F Major | 2 | 7B | 76 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: I. Poco adagio - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | B♭ Minor | 0 | 3A | 62 BPM | |
| 弦楽セレナード ホ短調 作品20: 第2楽章: Larghetto | Edward Elgar, 石田組 | G Major | 2 | 9B | 106 BPM | |
| グノーのアベマリア | グノー, Karoly Kovacs | F Major | 0 | 7B | 70 BPM | |
 | Carmen / Act 1: Ma Mère, je la vois! | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM | |
 | Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | D Major | 1 | 10B | 62 BPM | |
 | La Damnation de Faust, Op. 24, H 111 / Pt. 1: Scène 1. "Le vieil hiver a fait place au printemps" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 75 BPM | |
 | オンブラ・マイ・フ | George Frideric Handel, Takeharu Nobuhara, テレマン室内管弦楽団 | F Major | 1 | 7B | 51 BPM | |
 | The Legend, Op. 17 | Henryk Wieniawski, Filharmonie Brno, Petr Altrichter, Jan Stanovsky | G Minor | 1 | 6A | 112 BPM |
- ISRC
- JPCO09509030
- Label
- L-M Records/RCA Records