Rachel Portman's 'Its in the Mail/End Credits (Rewrite)' had a release date set for September 23, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "The Human Stain (Original Score)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Its in the Mail/End Credits (Rewrite) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Its in the Mail/End Credits (Rewrite) by Rachel Portman having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Wind | Jan A.P. Kaczmarek | E Minor | 2 | 9A | 67 BPM | ||
| End Roller | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Dappled Light | Luke Howard, Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 0 | 3A | 129 BPM | ||
| Blind Endeavours | Samuel Sim | G Major | 1 | 9B | 82 BPM | ||
| Truman Sleeps - Arr. for Orchestra by David Le Page | Philip Glass, Orchestra of the Swan, David le Page | F Minor | 1 | 4A | 72 BPM | ||
| Dawn - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | C Major | 1 | 8B | 79 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| I Want You to Be Happy | Joy Ngiaw | D Minor | 1 | 7A | 60 BPM | ||
| The Promise of Things to Come | Jan A.P. Kaczmarek | C Major | 4 | 8B | 87 BPM | ||
| Boldwood Variation | Craig Armstrong | A Minor | 2 | 8A | 59 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| I am Free | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 113 BPM | ||
| Frank Gehry | Mark Isham | F Major | 0 | 7B | 66 BPM | ||
| Once Again on the Bridge | Maurizio Malagnini | D Major | 0 | 10B | 183 BPM | ||
| Tibet | Burkhard Dallwitz | E Minor | 2 | 9A | 91 BPM | ||
| Basically Flying | Kevin Smuts | A Minor | 1 | 8A | 82 BPM | ||
| Harry In Winter - From "Harry Potter and the Goblet of Fire" | Patrick Doyle, The Royal Philharmonic Orchestra/Nic Raine | B Minor | 2 | 10A | 88 BPM | ||
| The Lost Cities | Johannes Bornlöf | E Major | 2 | 12B | 73 BPM | ||
| King's Cross | Amelia Warner | D Minor | 3 | 7A | 109 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| A Wizard's Discipline | Hytale, Oscar Garvin | D Minor | 1 | 7A | 60 BPM | ||
| Utopia | George Fenton | C Major | 0 | 8B | 86 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM |