Christopher Rouse, Sharon Bezaly, Royal Stockholm Philharmonic Orchestra, Alan Gilbert's 'Flute Concerto: II. Alla marcia' had a release date set for October 27, 2009. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Rouse, C.: Flute Concerto / Symphony No. 2 / Rapture". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. The popularity of Flute Concerto: II. Alla marcia is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flute Concerto: II. Alla marcia by Christopher Rouse, Sharon Bezaly, Royal Stockholm Philharmonic Orchestra, Alan Gilbert having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM | ||
| Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 72 BPM | ||
| Jūra, MKČ 102: II. Exposition, Secondary Theme | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Der gerettete Alberich: III. — | Christopher Rouse, Evelyn Glennie, Helsinki Philharmonic Orchestra, Leif Segerstam | F Minor | 8 | 4A | 77 BPM | ||
| Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
| Romeo and Juliet Suite No. 1, Op. 64bis: IV. Minuet (Live) | Sergei Prokofiev, Riccardo Muti, Chicago Symphony Orchestra | E♭ Major | 1 | 5B | 92 BPM | ||
| King Christian II Suite, Op. 27: III. Musette | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
| Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | ||
| Symphony in 3 Movements, K73: I. [Allegro]. Crotchet = 160 | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 84 BPM | ||
| Pulcinella, K 034: VIII. Minuetto | Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons | C Minor | 0 | 5A | 77 BPM | ||
| Peter Grimes, Op. 33, Act II: Interlude III | Benjamin Britten, Edward Gardner, Bergen Philharmonic Orchestra | F Major | 0 | 7B | 58 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| And God Created Great Whales, Op. 229, No. 1 | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 1 | 8B | 85 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| Celestial Voyage | Jarko Vento | A♭ Minor | 4 | 1A | 166 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | E♭ Major | 1 | 5B | 89 BPM | ||
| Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | ||
| Miroirs, M. 43: No. 3, Une barque sur l'ocean (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | A Major | 0 | 11B | 134 BPM | ||
| Overture to "The School for Scandal", Op. 5 | Samuel Barber, Atlanta Symphony Orchestra, Yoel Levi | A Minor | 1 | 8A | 101 BPM | ||
| Piano Trio: II. Tempo di marcia | Leonard Bernstein, Charles Bernard, Opus Two | C Major | 1 | 8B | 78 BPM | ||
| 3 Latin American Sketches: Paisaje Mexicano | Aaron Copland, Nashville Chamber Orchestra, Paul Gambill | F♯ Major | 0 | 2B | 70 BPM | ||
| Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | D♭ Major | 0 | 3B | 80 BPM | ||
| Symphony No. 2: I. Allegro | Christopher Rouse, Royal Stockholm Philharmonic Orchestra, Alan Gilbert | G Minor | 2 | 6A | 87 BPM |