- BPM
- 89
- Key
- D♭ Minor
- Camelot
- 12A
Happy Is England by John Keats Song Details
John Keats's ' "Happy Is England" was released on its scheduled release date, 2002. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Listen To Britain" album is number 3 out of 46. Happy Is England is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
We consider the tempo marking of Happy Is England by John Keats to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
Music Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -14.236 dB
- Acousticness
- 86%
- Danceability
- 69%
- Energy
- 62%
- Instrumentalness
- 0%
- Liveness
- 34%
- Loudness
- 76%
- Speechiness
- 96%
- Valence
- 62%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 混声合唱曲集「三つの愛の歌」 III. Suavies cantus | 新実徳英, John Keats, 藤井宏樹&樹の会 | F Minor | 1 | 4A | 105 BPM | |
 | Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | |
 | Old American Songs, Book 1: IV. Simple Gifts (Arr. I. Fine for Chorus) | Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson | A♭ Major | 1 | 4B | 168 BPM | |
 | Purcell: Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge | E♭ Major | 1 | 5B | 97 BPM | |
 | Da pacem, Domine | Chloe May Evans, Ǣfendrēama | D♭ Major | 1 | 3B | 104 BPM | |
 | Teil 19 - Folge 46: Professor van Dusen und der Schwarze Ritter | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Moritz Milar, Friedrich Schoenfelder, Eva Lissa, Sylvia Martin, Hermann Ebeling, Manfred Schuster | B Major | 7 | 1B | 96 BPM | |
 | Banalités, FP 107: II. Hôtel | Francis Poulenc, Claire Booth, Jâms Coleman | A Major | 1 | 11B | 73 BPM | |
 | In darkness let me dwell | John Dowland, Zefiro Torna, Lore Binon, Jurgen De bruyn | D♭ Major | 0 | 3B | 81 BPM | |
 | Kapitel 22 - Lyrikalische Lesung Episoden 31-35 | Friedrich Frieden, Heinrich Heine, Johann Wolfgang von Goethe, John Keats, Hugo von Hoffmannsthal, Charles Baudelaire, Wilhelm Busch, Christian Morgenstern, Arno Holz, Georg Heym, Annette Von Droste-Hulshoff, Karl Kraus, Georg Trakl, Ludwig Tieck, Joachim Ringelnatz, Rainer Maria Rilke | B Minor | 7 | 10A | 117 BPM | |
 | Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | |
 | Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | |
 | Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | A Major | 1 | 11B | 73 BPM | |
 | Jazz Missa Brevis: Sanctus | Will Todd, St Martin's Voices | C Major | 2 | 8B | 95 BPM | |
 | Passion Week, Op. 58: VIII. The Wise Thief | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Major | 0 | 4B | 65 BPM | |
 | Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D♭ Major | 3 | 3B | 138 BPM | |
 | None Other Lamb (Arr. for Choir by Dan Forrest) | William Jeater, Beckenhorst Singers, Craig Courtney | A Major | 1 | 11B | 73 BPM | |
 | Venite, Gaudete! | Adrian Peacock, National Youth Choir Of Great Britain, Mariana Rosas | A Major | 1 | 11B | 77 BPM | |
 | Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | |
 | The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | |
 | Israel in Egypt, HWV 54, Pt. II, "Exodus": No. 8, Chorus. He Sent a Thick Darkness | George Frideric Handel, Le Concert Spirituel, Herve Niquet | B Major | 3 | 1B | 110 BPM | |
| Say not the struggle naught availaeth - Soprano & Piano Version | Hilgrove Kenrick, Jessica Maton | B♭ Minor | 0 | 3A | 108 BPM | |
 | Kapitel 1 - Lyrikalikus 019 | Friedrich Frieden, John Keats | B Major | 2 | 1B | 124 BPM | |
 | O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | |
 | The Oak - SATB | Becky McGlade, The Gesualdo Six, Sophie Haynes | C Major | 1 | 8B | 58 BPM | |
 | From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | C Major | 0 | 8B | 92 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records