"Moody Moves: III. Retro Romance" by Roderick elms, The Aurora Ensemble had its release date on 2013. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 3 out of 25 in Elms: Moody Moves by Roderick elms, The Aurora Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Moody Moves: III. Retro Romance is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Moody Moves: III. Retro Romance by Roderick elms, The Aurora Ensemble is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ave Maria, D. 839 (Arr. Hazell for Voice & Orchestra) | Franz Schubert, Samuel Mariño, Covent Garden Sinfonia, Ben Palmer | B♭ Major | 1 | 6B | 74 BPM | ||
| The Dream of Gerontius, Op. 38: Part II: I go before my Judge (The Soul of Gerontius, Chorus) | Edward Elgar, Felicity Palmer, Arthur Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Roderick elms, Richard Hickox | F♯ Minor | 0 | 11A | 139 BPM | ||
| Jazz Suite: II. Lyrical Waltz | Alexander Tsfasman, Zlata Chochieva, BBC Scottish Symphony Orchestra, Karl-Heinz Steffens | E Minor | 1 | 9A | 84 BPM | ||
| Fandango Frivolo | Roderick elms, The Aurora Ensemble | B♭ Major | 1 | 6B | 104 BPM | ||
| In Sorrow's Wake | Andrew York, Sebastian Caldas | A Minor | 2 | 8A | 80 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| La foule (Arr. Dyens for Guitar) | Ángel Cabral, Alexandra Whittingham | E Minor | 2 | 9A | 89 BPM | ||
| Tranquility | Vasili | B Minor | 1 | 10A | 78 BPM | ||
| Dies Natalis, Op. 8 - Arr. Sheppard: 5. The Salutation - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | G Major | 1 | 9B | 112 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
| The Kingdom, Op. 51, Part I. In the Upper Room: Men and brethren (Peter) | Edward Elgar, Richard Hickox, London Symphony Orchestra, David Wilson-Johnson, Roderick elms | B♭ Major | 2 | 6B | 86 BPM | ||
| Twelve Astrological Preludes: VIII. Leo | Roderick elms, The Aurora Ensemble | B♭ Major | 3 | 6B | 90 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| Ballade for Flute, String Orchestra and Piano | Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Roderick elms, Celia Chambers | A♭ Major | 0 | 4B | 71 BPM | ||
| Garden of lotus | Tsuki | A Minor | 2 | 8A | 98 BPM | ||
| Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 2, Andante con espressione | Elias Parish Alvars, Paola Perrucci | E♭ Major | 0 | 5B | 79 BPM | ||
| Short Suite: Aria | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 75 BPM | ||
| The Deer Hunter: Cavatina | Stanley Myers, Jason Vieaux | E Major | 0 | 12B | 80 BPM | ||
| Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | ||
| Canção pequena | Michael Cohen, Alex Klein, Rita Costanzi | E♭ Minor | 0 | 2A | 70 BPM | ||
| War Requiem, Op. 66: I. Requiem aeternam | Benjamin Britten, Richard Hickox, London Symphony Orchestra, Heather Harper, Philip Langridge, John Shirley-Quirk, Roderick elms, London Symphony Chorus, Choristers of St Paul's Cathederal | A♭ Major | 0 | 4B | 71 BPM | ||
| The Blue Mountains | Sally Greenaway, Graham Ross, Royal College of Music Symphony Orchestra | A Minor | 1 | 8A | 91 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: VII. Air | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 95 BPM | ||
| Italian Coffee: No. 3, L'ultimo caffè insieme | Simone Iannarelli, Xuanxuan Sun | B Minor | 1 | 10A | 135 BPM |