On 1973, the song "What Could I Do If It Wasn't For The Lord (with Marion Williams)" was released by Thomas A. Dorsey, Marion Williams. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. What Could I Do If It Wasn't For The Lord (with Marion Williams)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Precious Lord Recordings Of The Great Gospel Songs Of Thomas A. Dorsey". In this album, this song's track order is #6. In terms of popularity, What Could I Do If It Wasn't For The Lord (with Marion Williams) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With What Could I Do If It Wasn't For The Lord (with Marion Williams) by Thomas A. Dorsey, Marion Williams having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come And Go With Me To That Land | Bernice Johnson Reagon | B♭ Major | 2 | 6B | 84 BPM | ||
| Pray | The Highway Q.C.'s | B Minor | 3 | 10A | 88 BPM | ||
| If Jesus Goes With Me, I'll Go | Rev. F.C. Barnes | A♭ Major | 2 | 4B | 72 BPM | ||
| Hold My Hand While I Run This Race | Dr. C.J. Johnson | D♭ Major | 5 | 3B | 65 BPM | ||
| He's An On Time God | Dottie Peoples & The Peoples Choice Chorale | A♭ Major | 7 | 4B | 122 BPM | ||
| Troubled, Lord I'm Troubled | Bill Landford | B♭ Major | 7 | 6B | 102 BPM | ||
| We'll Understand It Better Bye And Bye | Sweet Honey In The Rock | A Major | 1 | 11B | 117 BPM | ||
| God Has Smiled On Me | The Truthettes | F Major | 4 | 7B | 105 BPM | ||
| You Can Call On God v1.1 | New Jersey Mass Choir | C Major | 6 | 8B | 159 BPM | ||
| If It Had Not Been For The Lord On My Side | Helen Baylor | C Major | 5 | 8B | 85 BPM | ||
| Because He Lives | Rev. Cleophus Robinson | C Major | 5 | 8B | 85 BPM | ||
| Mary Don't You Weep | The Caravans | F Minor | 7 | 4A | 167 BPM | ||
| Get Your House In Order | Dottie Peoples & The Peoples Choice Chorale | F♯ Major | 5 | 2B | 91 BPM | ||
| Take My Hand, Precious Lord (Arr. A. Sevier for Choir) [Live] | Thomas A. Dorsey, Mansfield University Concert Choir, Peggy Dettwiler | B♭ Major | 1 | 6B | 73 BPM | ||
| Jesus You've Been Good To Me | Willie Neal Johnson, The Gospel Keynotes | A♭ Major | 4 | 4B | 141 BPM | ||
| Just for Me | Inez Andrews | F Major | 3 | 7B | 104 BPM | ||
| Ezekiel Saw The Wheel | The Dixie Hummingbirds | A♭ Major | 4 | 4B | 126 BPM | ||
| Swing Low, Sweet Chariot | The Fisk Jubilee Singers | B Minor | 4 | 10A | 78 BPM | ||
| When the Saints | The Riverside Singers | C Major | 3 | 8B | 104 BPM | ||
| I Can't Feel At Home | The New Jerusalem Baptist Church Choir | A Major | 8 | 11B | 172 BPM | ||
| Lord, Bring Me Down | The Consolers | C Major | 2 | 8B | 186 BPM | ||
| Too Late | The Consolers | F Major | 1 | 7B | 108 BPM | ||
| Old Ship Of Zion (with Bessie Griffin) | Thomas A. Dorsey, Bessie Griffin | B♭ Major | 4 | 6B | 120 BPM | ||
| I Made It Over | The Florida Mass Choir | F♯ Major | 9 | 2B | 177 BPM | ||
| I Don't Know What You've Come To Do | Bebe Winans | B♭ Minor | 8 | 3A | 109 BPM |