On 1995, the song "Real Surreal" was released by Paul Taylor. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "On the Horn". In this album, this song's track order is #5. In terms of popularity, Real Surreal is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Real Surreal by Paul Taylor having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Get out Claws | Oli Silk | B♭ Minor | 5 | 3A | 132 BPM | ||
| Before I'm Gone | Marc Ferrari, Paul Taylor | F♯ Major | 6 | 2B | 90 BPM | ||
| Give Me Your Heart | Bobby Lyle | B♭ Major | 4 | 6B | 150 BPM | ||
| Kisses in the Rain | Rick Braun | F Minor | 6 | 4A | 95 BPM | ||
| Nightfall | Rick Braun | D Minor | 6 | 7A | 83 BPM | ||
| Bloom | Cindy Bradley | D Minor | 7 | 7A | 178 BPM | ||
| Proof | Keiko Matsui | G Major | 6 | 9B | 82 BPM | ||
| Liquid Soul | Chris Standring | B♭ Minor | 3 | 3A | 100 BPM | ||
| Conversations | Freddie Ravel | F Minor | 6 | 4A | 96 BPM | ||
| Body Language | Boney James | F♯ Major | 6 | 2B | 93 BPM | ||
| The Takedown | Marc Ferrari, Paul Taylor | E Major | 7 | 12B | 130 BPM | ||
| Next To You | Alfonzo Blackwell | G Minor | 8 | 6A | 89 BPM | ||
| Workin' | Jazz Holdouts | F Major | 7 | 7B | 100 BPM | ||
| You And I | Bobby Lyle | B♭ Major | 4 | 6B | 150 BPM | ||
| Lucrezia Borgia / Act 2: Viva il Madera! | Gaetano Donizetti, John Bröcheler, Graham Clark, Piero de Palma, Lieuwe Visser, Marilyn Horne, Richard van Allan, Giacomo Aragall, Paul Taylor, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 98 BPM | ||
| Anywhere Near You | Russ Freeman | F Minor | 6 | 4A | 83 BPM | ||
| Undulation | Kayla Waters | D♭ Major | 6 | 3B | 110 BPM | ||
| Blue Water | Eric Marienthal | D Minor | 7 | 7A | 115 BPM | ||
| Eye 2 Eye | Najee | D Minor | 8 | 7A | 90 BPM | ||
| In The Full Moon Light | 3rd Force | B♭ Minor | 7 | 3A | 90 BPM | ||
| I Am | Kayla Waters | B♭ Minor | 7 | 3A | 100 BPM | ||
| Between Us (feat. Michael Stever) | Nicholas Cole, Michael Stever | D♭ Minor | 8 | 12A | 94 BPM | ||
| 107 In the Shade | Alex Bugnon | D Minor | 4 | 7A | 149 BPM | ||
| Pacific Breeze | Gail Jhonson, Nelson Braxton | F Minor | 5 | 4A | 97 BPM | ||
| Say It Again | Steve Cole | B♭ Major | 7 | 6B | 108 BPM |