宮間利之とニュー・ハード's ' "艶歌に対する悲しみ" was released on its scheduled release date, September 25, 1972. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 仁王と鳩, so we believe that "艶歌に対する悲しみ" is a single. In terms of popularity, 艶歌に対する悲しみ is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 艶歌に対する悲しみ by 宮間利之とニュー・ハード is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Is This Thing Called Love? | Toshiko Akiyoshi | C Major | 3 | 8B | 148 BPM | ||
| スクローリン | Masahiko Sato, 宮間利之とニュー・ハード | D♭ Major | 5 | 3B | 130 BPM | ||
| アフリカ | 宮間利之とニュー・ハード | C Major | 6 | 8B | 97 BPM | ||
| I Could Have Danced All Night | Tadao Hayashi Harp Trio | D♭ Major | 1 | 3B | 101 BPM | ||
| Trial Road | 高橋知己 | F Major | 5 | 7B | 84 BPM | ||
| 3000B.C. | 鈴木 宏昌トリオ | C Minor | 3 | 5A | 116 BPM | ||
| Mannix Theme | Jack McDuff | D♭ Major | 3 | 3B | 110 BPM | ||
| Invitation | TAKAO UEMATSU | B♭ Minor | 6 | 3A | 127 BPM | ||
| Excursion #2 | John Klemmer | B Minor | 7 | 10A | 78 BPM | ||
| 東京ブギウギ | 天地総子, 宮間利之とニュー・ハード | C Major | 6 | 8B | 134 BPM | ||
| ザ・グランド・フォー・ピース | 稲垣次郎とソウル・メディア | A Major | 5 | 11B | 113 BPM | ||
| IV の詩 | 宮間利之とニュー・ハード, Masahiko Sato | G Major | 5 | 9B | 97 BPM | ||
| マサイ・トーク | Sadao Watanabe | D♭ Major | 6 | 3B | 108 BPM | ||
| 諦 (たい) | Masahiko Sato, 宮間利之とニュー・ハード | D♭ Major | 7 | 3B | 113 BPM | ||
| Thoughts | Chico Hamilton | B Minor | 3 | 10A | 107 BPM | ||
| Jeannine | Dr. Lonnie Smith | D Minor | 5 | 7A | 118 BPM | ||
| バック・トゥ・ラック | 稲垣次郎とソウル・メディア | A♭ Major | 2 | 4B | 117 BPM | ||
| Soul Village | Walter Bishop, Jr. | C Minor | 6 | 5A | 133 BPM | ||
| II の詩 | 宮間利之とニュー・ハード, Masahiko Togashi | A Minor | 4 | 8A | 91 BPM | ||
| Happy Feeling | Yuji Ohno | D Minor | 3 | 7A | 120 BPM | ||
| Love Tones | Gary Bartz | D♭ Major | 7 | 3B | 86 BPM | ||
| ヘイヘイブギー | 天地総子, 宮間利之とニュー・ハード | C Major | 5 | 8B | 80 BPM | ||
| Little Miss Lady | Catalyst | A Minor | 4 | 8A | 93 BPM | ||
| サンバ・デ・ラ・クルズ | Terumasa Hino | A Minor | 5 | 8A | 146 BPM | ||
| Soft Spirit | Henry Franklin | C Major | 3 | 8B | 104 BPM |