Marcus Roberts's 'When Fire Meets Moonlight' had a release date set for June 11, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Time And Circumstance". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. When Fire Meets Moonlight is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With When Fire Meets Moonlight by Marcus Roberts having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The End Of A Love Affair | Wynton Marsalis, Herlin Riley, Marcus Roberts, Reginald Veal | F Minor | 0 | 4A | 58 BPM | ||
| Two Sleepy People | Danny Grissett, Vicente Archer, Marcus Gilmore | E♭ Major | 1 | 5B | 117 BPM | ||
| Brass After Midnight - Jazz Version | Between Silences, Across the Brass | B♭ Major | 0 | 6B | 184 BPM | ||
| Sweet Beautiful | Ben Wolfe | D♭ Minor | 1 | 12A | 107 BPM | ||
| Dreamsville | Mulgrew Miller, Wingspan | E Minor | 1 | 9A | 130 BPM | ||
| New Lands - Take 2 | Phil Woods, Space Jazz Trio | C Major | 5 | 8B | 96 BPM | ||
| Nigerian Marketplace | Peter Beets, Greg Hutchinson, Reuben Rogers | G Minor | 4 | 6A | 107 BPM | ||
| Mommy's Shawl | Yelena Eckemoff, Verneri Pohjola, Panu Savolainen, Antti Lötjönen, Olavi Louhivuori | A♭ Major | 2 | 4B | 163 BPM | ||
| Hallelujah Time | Christian McBride Trio | B♭ Major | 3 | 6B | 81 BPM | ||
| Blue In Green | Wallace Roney | A Minor | 2 | 8A | 176 BPM | ||
| Emily | Kenny Barron Trio | C Major | 5 | 8B | 118 BPM | ||
| Ballad Of The Sad Young Men | Renee Rosnes | B♭ Major | 2 | 6B | 136 BPM | ||
| Where We Used To Live | Esbjörn Svensson Trio | C Major | 1 | 8B | 95 BPM | ||
| The Joy of Joplin - Instrumental | Marcus Roberts | E♭ Major | 1 | 5B | 103 BPM | ||
| Nice Work If You Can Get It | Marcus Roberts | A♭ Major | 2 | 4B | 202 BPM | ||
| Softly As In A Morning Sunrise | Kenny Barron Trio | D♭ Minor | 6 | 12A | 91 BPM | ||
| How Deep Is The Ocean | Kenny Barron Trio | F Minor | 5 | 4A | 174 BPM | ||
| Stormy Weather | Woody Shaw | D♭ Major | 4 | 3B | 184 BPM | ||
| The Last Goodbye | Nicholas Payton | D Major | 2 | 10B | 160 BPM | ||
| It's Only A Paper Moon | Marcus Roberts Trio | D♭ Major | 3 | 3B | 101 BPM | ||
| Old Folks | Xavier Davis, Carl Allen, Dwayne Burno | F Major | 2 | 7B | 108 BPM | ||
| Maurella | Marcus Roberts | D Major | 1 | 10B | 102 BPM | ||
| Light Blue | Kenny Barron Trio | F Major | 1 | 7B | 73 BPM | ||
| Sharon's Waltz | Joe Zawinul | A Minor | 1 | 8A | 126 BPM | ||
| Reika's Loss | Branford Marsalis Quartet | B♭ Major | 2 | 6B | 131 BPM |