On March 22, 2017, the song "Dharu Charan Kamal Ko Dhyan" was released by Rajendra Vyas. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajendra Vyas's "Mataji Ro Singhasan" album is number 5 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Dharu Charan Kamal Ko Dhyan is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dharu Charan Kamal Ko Dhyan by Rajendra Vyas to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chaalo Re Chaalo Ramdev Re | Gopal Bajaj | A♭ Major | 5 | 4B | 90 BPM | ||
| Gopal Muraliya Wale | Vinod Agarwal Ji | D♭ Major | 5 | 3B | 82 BPM | ||
| Vrindawan Mein Hukum Chale Barsane Wari Ka | Upasana Mehta | D♭ Major | 9 | 3B | 82 BPM | ||
| Lagan Shyam Naam Ki | Reshmi Sharma | B♭ Minor | 9 | 3A | 103 BPM | ||
| Are Dwarpalo Kanheya Se Keh Do | Naresh Narsi, Chanpreet, Minakshi Panchal | D Minor | 9 | 7A | 142 BPM | ||
| He Dukh Bhanjan Maruti Nandan | Rakesh Kala | B Major | 8 | 1B | 90 BPM | ||
| Butati Dham, Pt. 4 | Rajendra Vyas | G Major | 6 | 9B | 172 BPM | ||
| Sare Tirth Dham | Sadhvi Purnima | C Major | 7 | 8B | 120 BPM | ||
| Nachna Mohan De Naal | Naresh Narsi | B♭ Minor | 8 | 3A | 120 BPM | ||
| Vrandavan Ke Baanke Bihari | Bhaiya Krishan Das Ji | F♯ Major | 5 | 2B | 92 BPM | ||
| Naino Mein Shyam Samaaye Gayo | Baba Rasika Pagal | A♭ Minor | 8 | 1A | 86 BPM | ||
| Daya Thodi Si Kardo Na | Sonu Bishnoi | F♯ Major | 7 | 2B | 79 BPM | ||
| Bhakti Me Sewka | Rajendra Vyas | B♭ Minor | 7 | 3A | 79 BPM | ||
| radhe radhe japo chale ayenge bihari | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 8 | 1A | 120 BPM | ||
| Hum Tumhare Hain Prabhu | Devendra Pathak | C Major | 7 | 8B | 120 BPM | ||
| Ye Bajrang Bala Matwala | Ramkumar Lakha | D♭ Major | 9 | 3B | 102 BPM | ||
| Kangde Da Tilla O Mata | Karnail Rana | F Minor | 10 | 4A | 160 BPM | ||
| Khatu Wale Shyam Tera Sacha Darbar Hai | Upasana Mehta | A♭ Major | 6 | 4B | 94 BPM | ||
| Sari Duniya Hai Diwani | Sadhvi Purnima Ji | C Minor | 8 | 5A | 100 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Karle Tu Shiv Ki Bhakti | Kishan Bhagat | D♭ Major | 8 | 3B | 160 BPM | ||
| Shyam Tere Hi Bharose Mera Pariwaar Hai | Upasana Mehta | A♭ Minor | 7 | 1A | 148 BPM | ||
| Mera Chota Sa Sansar | Mridul Krishan Shastri | B♭ Minor | 8 | 3A | 82 BPM | ||
| Sanware Ki Mehfil Ko Sanwara Sajata Hai | Bhakti Bhajan Sangrah | A♭ Major | 7 | 4B | 88 BPM | ||
| Aaju Mithila Nagariya | Maithili Thakur | D♭ Major | 7 | 3B | 150 BPM |