Juan Maglio, Cuarteto Soltango's 'Violetas (Transcr. Klett for Quartet)' had a release date set for February 1, 2019. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Violetas (Transcr. Klett for Quartet)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Sin Palabras". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. In terms of popularity, Violetas (Transcr. Klett for Quartet) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violetas (Transcr. Klett for Quartet) by Juan Maglio, Cuarteto Soltango having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Cumparsita | Pablo Ramos & los Herederos del Compás | G Minor | 3 | 6A | 132 BPM | ||
| Corazon no le digas a nadie | Enrique Munne, Horacio Quintana, Orquesta Lucio Demare | A Minor | 2 | 8A | 119 BPM | ||
| No Me Hables de Amor | Juan Maglio | G Major | 1 | 9B | 113 BPM | ||
| El Entrerriano | Rodolfo Biagi Y Su Orquesta Tipica | G Major | 3 | 9B | 135 BPM | ||
| El esquinazo | Orquesta Juan D' Arienzo | C Major | 8 | 8B | 110 BPM | ||
| Luna de Arrabal | Miguel Villasboas y Su Orquesta Típica | E Major | 5 | 12B | 101 BPM | ||
| Malena | Conjunto Berretin | D Major | 2 | 10B | 114 BPM | ||
| Caminito | Florindo Sassone Y Su Orquesta | G Major | 2 | 9B | 116 BPM | ||
| Mañana Ire Temprano | Rubén Juárez, Leopoldo Federico | C Minor | 3 | 5A | 120 BPM | ||
| Tango argentino | Adolfo Perez (Pocholo), Juan Maglio, Orquestra tipica de la Guardia Vieja | A Minor | 4 | 8A | 119 BPM | ||
| Negracha | Color Tango | A Minor | 3 | 8A | 126 BPM | ||
| Ahora No Me Conoces | Angel D'Agostino Y Su Orquesta Típica | A Minor | 1 | 8A | 125 BPM | ||
| Una noche de Tokyo | Florindo Sassone Y Su Orquesta | G Major | 4 | 9B | 114 BPM | ||
| Margaritas | Juan Maglio | G Major | 1 | 9B | 113 BPM | ||
| Soy muchacho de la guardia | Orquesta Anibal Troilo, Francisco Fiorentino | C Major | 3 | 8B | 129 BPM | ||
| La paloma | Florindo Sassone Y Su Orquesta | D Major | 4 | 10B | 119 BPM | ||
| Tiempos Viejos | Francisco Canaro Y Su Orquesta | D Minor | 3 | 7A | 127 BPM | ||
| Igual Que una Sombra | Miguel Caló, Raul Iriarte | G Major | 2 | 9B | 126 BPM | ||
| La Bordona | Bandonegro | E Minor | 2 | 9A | 105 BPM | ||
| Paciencia | La Juan D'Arienzo | F♯ Minor | 7 | 11A | 137 BPM | ||
| Yapeyu | Solo Tango Orquesta | G Major | 4 | 9B | 142 BPM | ||
| Mi dolor | Hyperion Ensemble, Ruben Peloni | D Minor | 4 | 7A | 138 BPM | ||
| Comme Il Faut | Orquesta Carlos di Sarli | A Minor | 3 | 8A | 118 BPM | ||
| Papas calientes | Adolfo Perez (Pocholo), Eduardo Arolas, Orquestra tipica de la Guardia Vieja | G Major | 5 | 9B | 88 BPM | ||
| Sin lagrimas | Jorge Valdez | B♭ Major | 3 | 6B | 129 BPM |