P.Kalinga Rao's ' "Ilidhu Baa Thayee" was released on its scheduled release date, August 1, 2014. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in P.Kalinga Rao, H. R. Leelavathi's "Ilidhu Baa Thayee" album is number 1 out of 10. On top of that, India appears to be the country where this track was created. Ilidhu Baa Thayee is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ilidhu Baa Thayee by P.Kalinga Rao to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yendu kaambeno Nanda Gopana | Venkatesh Kumar | E♭ Major | 6 | 5B | 173 BPM | ||
| Iko Nodi Chikka Hanumantha | Anantha Kulkarni | D♭ Major | 7 | 3B | 128 BPM | ||
| Sharanam Sharanam Ayyappa | Puttur Narasimha Nayak | F♯ Major | 6 | 2B | 90 BPM | ||
| Aakasa Neelimayo | Umbayee | B Major | 4 | 1B | 89 BPM | ||
| Panchami Habba | B. R. Chaya, P.Kalinga Rao, Ananda Kanda | D♭ Major | 5 | 3B | 141 BPM | ||
| Karunaalu Baa Belake | Rathnamala Prakash | B♭ Major | 4 | 6B | 150 BPM | ||
| Sri Besaveshwara Suprabhatha | P. B. Sreenivas, Bangalore Latha | G Major | 4 | 9B | 87 BPM | ||
| Jai Hinda | Bhimsingh Rathod | F Major | 6 | 7B | 129 BPM | ||
| Kannanjum | K. S. Chithra | G Minor | 6 | 6A | 167 BPM | ||
| Vaara Banthu | Puttur Narasimha Nayak | F♯ Major | 3 | 2B | 90 BPM | ||
| Laali Adida Ranga | Sri Vdyabhushan Teertha Swamiji | G Major | 5 | 9B | 126 BPM | ||
| Govindenniri Govinda | Shamita Malnad | A Minor | 6 | 8A | 145 BPM | ||
| Soma Varnane | Sowmya, Surekha | A♭ Minor | 7 | 1A | 161 BPM | ||
| Bum Chik Bum | Hamsalekha, K. S. Chithra | A♭ Major | 3 | 4B | 123 BPM | ||
| Baagilolu Kaimugidu | P.Kalinga Rao, Mohanakumari | A Minor | 6 | 8A | 156 BPM | ||
| Kondharu Kondhilla | P.Kalinga Rao | G Minor | 3 | 6A | 93 BPM | ||
| Oh Yallalinga | Siddal Patil, Lalitha Chowdal, Revayya Vasthradamath | B♭ Minor | 8 | 3A | 111 BPM | ||
| Murali Manohara | Vidyabhushana | F♯ Minor | 4 | 11A | 85 BPM | ||
| Thappugalella Pariharisuva | Anantha Kulkarni | D♭ Major | 4 | 3B | 129 BPM | ||
| Indu Ninna Mareya Hokke | Puttur Narasimha Nayak | F♯ Minor | 7 | 11A | 94 BPM | ||
| Baludinada Aase | S. P. Balasubrahmanyam, S. Janaki, P.Kalinga Rao, A N PRASANNA | G Minor | 7 | 6A | 99 BPM | ||
| Hanumantha Pahi | Narasimha Naik | A♭ Major | 4 | 4B | 171 BPM | ||
| Jaya Bharatha Maathe | Dr. M. Balamuralikrishna, P.Kalinga Rao, Traditional | D♭ Major | 5 | 3B | 141 BPM | ||
| Nodirilli Aagide | Rajkumar | G Major | 3 | 9B | 129 BPM | ||
| Dhareyoddharaka | Anantha Kulkarni | F♯ Minor | 5 | 11A | 113 BPM |