On January 1, 1951, the song "We Love To Boogie" was released by Dizzy Gillespie. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. We Love To Boogie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "School Days". In this album, this song's track order is #10. Based on our statistics, We Love To Boogie's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With We Love To Boogie by Dizzy Gillespie having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Song For My Father | Horace Silver | F Minor | 7 | 4A | 127 BPM | ||
| One O'clock Jump | Count Basie Orchestra | G Minor | 4 | 6A | 137 BPM | ||
| Better Git It in Your Soul | Charles Mingus | F Minor | 5 | 4A | 89 BPM | ||
| So What (feat. John Coltrane, Cannonball Adderley & Bill Evans) | Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans | F Major | 7 | 7B | 85 BPM | ||
| Boogie Stop Shuffle | Charles Mingus | B♭ Minor | 5 | 3A | 129 BPM | ||
| Jordu | Clifford Brown, Max Roach Quintet | B♭ Major | 7 | 6B | 132 BPM | ||
| Woodyn' You | Dizzy Gillespie | A Major | 2 | 11B | 110 BPM | ||
| Well, You Needn't | Thelonious Monk Septet | F Minor | 3 | 4A | 90 BPM | ||
| Dat Dere | Bobby Timmons | A♭ Major | 3 | 4B | 135 BPM | ||
| Pavanne | Ahmad Jamal | F Major | 3 | 7B | 107 BPM | ||
| Miss Fine | Oliver Nelson | B♭ Major | 5 | 6B | 122 BPM | ||
| It's A Lovely Day Today | Elmo Hope | C Major | 5 | 8B | 109 BPM | ||
| Have You Met Miss Jones | McCoy Tyner Trio | A♭ Major | 5 | 4B | 146 BPM | ||
| Sweet Honey Bee | Lee Morgan | F Minor | 5 | 4A | 126 BPM | ||
| Scrapple From The Apple | Charlie Parker | F Major | 4 | 7B | 201 BPM | ||
| Casbah | Fats Navarro | D Major | 6 | 10B | 157 BPM | ||
| In a Sentimental Mood | The Modern Jazz Quartet | E♭ Major | 4 | 5B | 104 BPM | ||
| Sometimes I'm Happy | Roy Eldridge, Dizzy Gillespie | F Major | 1 | 7B | 124 BPM | ||
| Surrey With The Fringe On The Top - Live At The Pershing, Chicago, 1958 | Ahmad Jamal Trio | C Minor | 5 | 5A | 154 BPM | ||
| Straight Up And Down - Rudy Van Gelder 24-Bit Mastering/2003 Remaster | Blue Mitchell | B♭ Minor | 5 | 3A | 145 BPM | ||
| 'Round Midnight | Thelonious Monk | A♭ Major | 3 | 4B | 117 BPM | ||
| When I Fall In Love | Blue Mitchell | F Major | 0 | 7B | 96 BPM | ||
| Nancy (With The Laughing Face) | John Coltrane Quartet | F Major | 1 | 7B | 116 BPM | ||
| C Jam Blues | Oscar Peterson Trio | F Major | 3 | 7B | 115 BPM | ||
| The Jody Grind | Horace Silver | F Minor | 6 | 4A | 154 BPM |