Franz Lehár, Francisco Araiza, Ralf Weikert's 'Freunde, das Leben ist lebenswert' had a release date set for October 1, 1992. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Tenor Highlights". In this album, this song's track order is #6. Freunde, das Leben ist lebenswert is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Freunde, das Leben ist lebenswert by Franz Lehár, Francisco Araiza, Ralf Weikert having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
| Los Amaneceres en Austria | Orquesta Concierto de Viena | B♭ Major | 2 | 6B | 174 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| La Vergine Degli Angeli | Mirusia | D Major | 3 | 10B | 106 BPM | ||
| Una Furtiva Lagrima - Instrumental | Mělník Philharmonic Orchestra | B♭ Minor | 2 | 3A | 75 BPM | ||
| Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
| L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
| Fantasias Solitarias | Sirenas Celestiales | B Minor | 2 | 10A | 92 BPM | ||
| Faust-Walzer | Alfred Hause | G Major | 0 | 9B | 76 BPM | ||
| Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
| Que Sera Sera | Jerry Livingston, André Rieu | F Major | 4 | 7B | 118 BPM | ||
| Mozart: Cosi fan tutte, K. 588, Act 1: "Soave sia il sento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Alain Lombard, Frederica von Stade, Jules Bastin, Kiri Te Kanawa, Orchestre Philharmonique De Strasbourg | A♭ Major | 0 | 4B | 181 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| La traviata | Waldo De Los Ríos | C Major | 5 | 8B | 107 BPM | ||
| I racconti di Hoffmann: Barcarola - La vita è bella | Compagnia d'Opera Italiana di Milano, Choir of Compagnia d'Opera Italiana | D Major | 3 | 10B | 126 BPM | ||
| Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Wenn das Barometer wieder Sommer macht - Im weißen Rössl am Wolfgangsee (Dr. Siedler - Josepha - Chor) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Munich Radio Orchestra | D Major | 4 | 10B | 90 BPM | ||
| Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
| Les pêcheurs de perles, WD 13 / Act 1: "C'est toi"... "Au fond du temple saint" | Georges Bizet, Gregory Cross, Gino Quilico, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 140 BPM | ||
| Frühlingsstimmenwalzer - Live | Johann Strauss II, André Rieu, Johann Strauss Orchestra | B♭ Major | 3 | 6B | 108 BPM | ||
| Du und Du (You and You), Op. 367 (RV 367) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Minor | 0 | 5A | 49 BPM | ||
| Donausagen, Op. 446 | Carl Michael Ziehrer, Robert Stolz | G Major | 3 | 9B | 88 BPM | ||
| Meine Lippen, die küssen so heiss | Franz Lehár, Anna Netrebko | E Major | 2 | 12B | 83 BPM | ||
| Serenata | Enrico Toselli, Alfredo Kraus, Enrique Estela, Orquesta De Camara De Madrid | E Major | 3 | 12B | 167 BPM | ||
| Wine, Women and Song, Op. 333 | Johann Strauss II, André Rieu, Johann Strauss Orchestra | B♭ Major | 3 | 6B | 109 BPM |