- BPM
- 102
- Key
- F♯ Major
- Camelot
- 2B
La Vénitienne by Antoine Forqueray, Gabriel Rignol Song Details
"La Vénitienne" by Antoine Forqueray, Gabriel Rignol had its release date on June 21, 2024. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. La Vénitienne's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 45 in Forqueray: Intégrale des pièces de violes by Antoine Forqueray, Myriam Rignol. In terms of popularity, La Vénitienne is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of La Vénitienne by Antoine Forqueray, Gabriel Rignol is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.404 dB
- Acousticness
- 87%
- Danceability
- 20%
- Energy
- 2%
- Instrumentalness
- 63%
- Liveness
- 11%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 11%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Mystery Sonata No. 5 "The 12-Year-Old Jesus in the Temple": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | |
 | Suite in G Minor: V. Fantaisie en rondeau | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 91 BPM | |
 | Sonate concertate a due e tre voci, Book 1: No. 18, Sonata sopra "La novella" | Giuseppe Scarini, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | |
 | Pieces de viole, Suite No. 1 in D Minor: VI. La Couperin: Noblement et marque | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | |
 | Concerto grosso No. 2 in G Major: I. Largo (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F♯ Major | 1 | 2B | 87 BPM | |
 | Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | |
| Pieces de viole, Suite No. 2 in G Major: I. La Bouron | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | |
 | Boretti: Claudio Cesare, Act 2: Sinfonia | Giovanni Antonio Boretti, Maxim Emelyanychev, Il Pomo D'oro | E♭ Minor | 2 | 2A | 105 BPM | |
 | D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau, Thomas Dunford | A♭ Minor | 1 | 1A | 76 BPM | |
| Salmi concertati, Op. 1: No. 18, Canzon seconda à 3 | Giovanni Rovetta, Ecco la musica | D Minor | 1 | 7A | 77 BPM | |
 | Sonata a tromba in D Major, TWV 44:1: II. Largo | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck, Edi Kotlyar, Clemens-Maria Nuszbaumer, Katharina Litschig | D♭ Minor | 0 | 12A | 97 BPM | |
 | Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | |
 | VI. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | |
 | The Lessons for Solo Lyra Viol (1609): Almaine (no.1) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | G Major | 0 | 9B | 94 BPM | |
 | King Arthur, Z. 628, First Music: Overture | Henry Purcell, Vox Luminis, Lionel Meunier | D♭ Major | 3 | 3B | 117 BPM | |
 | Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | |
 | Fantasy I | John Jenkins, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 1 | 12A | 110 BPM | |
| Mystery Sonata No. 9 "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Minor | 1 | 1A | 110 BPM | |
 | Viola da Gamba Suite in D Major: IX. Tempo di minuet | Carl Friedrich Abel, Paolo Pandolfo | F♯ Major | 1 | 2B | 117 BPM | |
 | Pieces de viole, Suite No. 1 in D Minor: II. La Forqueray: Vivement et d'aplomb | Antoine Forqueray, Lorenz Duftschmid, Christoph Urbanetz, Thomas Boysen, Johannes Hämmerle | B♭ Minor | 1 | 3A | 68 BPM | |
 | Concert pour 4 parties de violes, H. 545: IV. Gigue angloise | Marc-Antoine Charpentier, Chelys Consort of Viols, James Akers | A♭ Minor | 2 | 1A | 75 BPM | |
 | Atys, LWV 53, Prologue: Premier air pour la suite de Flore | Jean-Baptiste Lully, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | G Minor | 6 | 6A | 134 BPM | |
 | Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | |
 | Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM |
- ISRC
- FXR522412003
- Label
- L-M Records/RCA Records