Alfredo Marceneiro's ' "Fado balada" was released on its scheduled release date, 1965. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Fado balada's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alfredo Marceneiro's "Há festa na Mouraria" album is number 2 out of 12. On top of that, Portugal appears to be the country where this track was created. Based on our statistics, Fado balada's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Fado balada by Alfredo Marceneiro to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dia Não | Matilde Cid | D Major | 5 | 10B | 133 BPM | ||
| Lisboa à noite | Tony De Matos | C Major | 6 | 8B | 117 BPM | ||
| Fado Vadio (Má Fama) | Ana Sofia Varela | E Minor | 2 | 9A | 86 BPM | ||
| Fado Da Despedida | Frei Hermano Da Câmara | B Major | 2 | 1B | 97 BPM | ||
| Fado da Surpesa | Inês de Vasconcellos | A Major | 2 | 11B | 89 BPM | ||
| Lisboa Não Sejas Francesa | Francisco José | F Minor | 3 | 4A | 62 BPM | ||
| De loucura em loucura | Ricardo Ribeiro | G Minor | 3 | 6A | 102 BPM | ||
| O Manto Da Raínha | Mísia | G Minor | 4 | 6A | 128 BPM | ||
| Destino marcado | Ricardo Ribeiro | D Major | 4 | 10B | 81 BPM | ||
| Folclore dos Avós | Teresinha Landeiro | D Major | 3 | 10B | 123 BPM | ||
| Fado do retorno I | Mísia, Emmanuel Pothier - Studio plus XXX | C Minor | 2 | 5A | 123 BPM | ||
| Estátua falsa | Mísia, Emmanuel Pothier - Studio plus XXX | B Minor | 3 | 10A | 94 BPM | ||
| A Rua Mais Lisboeta | Hermínia Silva | D♭ Minor | 5 | 12A | 134 BPM | ||
| O Fado de Ser Fadista | Joana Amendoeira | C Minor | 1 | 5A | 95 BPM | ||
| Fado Bailado | Manuel De Almeida | C Minor | 3 | 5A | 118 BPM | ||
| Poema para um menino | Luiz Goes | A♭ Major | 1 | 4B | 113 BPM | ||
| Rosinha Dos Limões | Francisco José | D♭ Major | 2 | 3B | 77 BPM | ||
| Fado da Sina | Hermínia Silva | D♭ Major | 4 | 3B | 96 BPM | ||
| Tirai os Olhos de Mim | Ricardo Ribeiro | D Minor | 5 | 7A | 168 BPM | ||
| Foi na velha Mouraria | Alfredo Marceneiro | G Major | 4 | 9B | 101 BPM | ||
| Menino D'Oiro | Fatum Grupo de Fados de Coimbra | D Minor | 2 | 7A | 133 BPM | ||
| Cartas De Amor | Tony De Matos | C Major | 3 | 8B | 119 BPM | ||
| Lisboa Antiga | Tony De Matos | C Major | 3 | 8B | 181 BPM | ||
| Cavalo à solta | Mafalda Arnauth | D Minor | 3 | 7A | 88 BPM | ||
| A Mulher Que Já Foi Tua | Carolina | D Major | 2 | 10B | 96 BPM |