Ruth Moody's ' "We Can Only Listen" was released on its scheduled release date, April 20, 2010. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Garden". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. We Can Only Listen is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With We Can Only Listen by Ruth Moody having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| San Andreas Fault | Amelia Curran | F♯ Major | 3 | 2B | 136 BPM | ||
| Dancing In The Dark | Ruth Moody | C Major | 3 | 8B | 145 BPM | ||
| Bobby Lee | Kris Delmhorst | B♭ Major | 5 | 6B | 107 BPM | ||
| See See Rider | Caroline Herring | A♭ Major | 2 | 4B | 97 BPM | ||
| On and On | Dead Horses | G Major | 6 | 9B | 150 BPM | ||
| Snowbird | Catherine MacLellan | A♭ Major | 4 | 4B | 136 BPM | ||
| The Wagoner's Lad | The Duhks | D Major | 5 | 10B | 115 BPM | ||
| Called Home | Over the Rhine | E Major | 7 | 12B | 170 BPM | ||
| Hummingbird | Kris Delmhorst | E♭ Major | 1 | 5B | 131 BPM | ||
| Take A Break | Catherine MacLellan | E Major | 4 | 12B | 124 BPM | ||
| Gulf Coast Highway | Red Molly | B Major | 2 | 1B | 108 BPM | ||
| Ring Them Bells | Sarah Jarosz | B Major | 3 | 1B | 164 BPM | ||
| Til It's Gone | Po' Girl | B♭ Major | 3 | 6B | 136 BPM | ||
| Oh Set a Light | Chip Taylor, Carrie Rodriguez | B♭ Major | 4 | 6B | 88 BPM | ||
| Oh Soul | Mary Gauthier | F Major | 3 | 7B | 82 BPM | ||
| But the Days and Nights Are Long | Cheryl Wheeler | B♭ Major | 2 | 6B | 164 BPM | ||
| Hardly Speaking a Word | Lori McKenna | D♭ Major | 3 | 3B | 116 BPM | ||
| You Won't Find Me | Amelia Curran | A♭ Major | 4 | 4B | 133 BPM | ||
| The Jack Pine | Hem | D Major | 3 | 10B | 86 BPM | ||
| If It's Alright With You | Catherine MacLellan | C Major | 6 | 8B | 180 BPM | ||
| Dear Someone | Red Molly | F Major | 1 | 7B | 173 BPM | ||
| I Cannot Settle Down | Peter Bradley Adams | C Major | 3 | 8B | 156 BPM | ||
| the constant presence | steve denvermoore | C Major | 4 | 8B | 91 BPM | ||
| Farewell to Bitterroot Valley | Dave Carter, Tracy Grammer | G Minor | 1 | 6A | 136 BPM | ||
| Back to You | Pieta Brown | E Major | 1 | 12B | 103 BPM |