Dave Grusin, Luigi Palombi's 'How Could You Lose Me? - End Title (From "The Firm")' had a release date set for February 2, 2018. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 25 out of 25 in Cinema by Luigi Palombi. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, How Could You Lose Me? - End Title (From "The Firm")'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of How Could You Lose Me? - End Title (From "The Firm") by Dave Grusin, Luigi Palombi is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| California Suite - 1978 | Claude Bolling, Hubert Laws | F Minor | 5 | 4A | 95 BPM | ||
| Neverland - Piano Variation In Blue - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 121 BPM | ||
| Two for the Road | Dave Grusin, Eric Marienthal, John Patitucci, Harvey Mason, Tom Scott, Gary Grant, Daniel Higgins, Andrew Martin | G Major | 2 | 9B | 125 BPM | ||
| Make You Smile | Magnus Ringblom Quartet | G Major | 2 | 9B | 76 BPM | ||
| Romeo & Juliet - Love Theme | Philip Aaberg | A Minor | 0 | 8A | 75 BPM | ||
| Last Night's Blues | The New York Jazz Trio | G Minor | 2 | 6A | 61 BPM | ||
| Rounders | Christopher Young | B Major | 1 | 1B | 71 BPM | ||
| Black Sand | Andrea Razzauti | F Major | 4 | 7B | 127 BPM | ||
| Miles and Maya | Rolfe Kent | G Minor | 0 | 6A | 65 BPM | ||
| Promise You | Brian Hughes | F Minor | 3 | 4A | 110 BPM | ||
| Dance Class | Dave Samuels | G Major | 6 | 9B | 111 BPM | ||
| Silver Serenade | Southside Trio | A Minor | 2 | 8A | 136 BPM | ||
| The Heart Is A Lonely Hunter | Dave Grusin | D Major | 1 | 10B | 138 BPM | ||
| Annie Get Your Gun: They Say It's Wonderful - Piano Accompaniment | Irving Berlin, Michael Ierace | E♭ Major | 0 | 5B | 108 BPM | ||
| Lonely Day | Rolfe Kent | E Minor | 3 | 9A | 78 BPM | ||
| Jeepers Creepers | Vince Giordano And The Nighthawks | F Major | 4 | 7B | 89 BPM | ||
| Ashes to Ashes | Joe Sample | B♭ Minor | 6 | 3A | 121 BPM | ||
| Wil's Theme | Kait Dunton | E♭ Major | 2 | 5B | 76 BPM | ||
| Dreams Come True | Randy Edelman | A♭ Major | 2 | 4B | 132 BPM | ||
| Kinship | Most Iverson | F♯ Major | 1 | 2B | 58 BPM | ||
| My Heart Is For You | Peter Sandberg | D♭ Major | 1 | 3B | 106 BPM | ||
| Brother Earl | Marc Antoine & Paul Brown | F Minor | 8 | 4A | 117 BPM | ||
| Sad but True | Larry Carlton | C Minor | 4 | 5A | 178 BPM | ||
| The Very Thought of You | Wynton Marsalis | B♭ Minor | 0 | 3A | 149 BPM | ||
| For the Love of Freedom | Marcus Miller | D Minor | 1 | 7A | 104 BPM |