Princi Thakur, Devenderpal Singh, Rajat Kumar's ' "Nanak Sab Ton Pyara" was released on its scheduled release date, November 17, 2025. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Nanak Sab Ton Pyara's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Nanak Sab Ton Pyara and no other songs are present in the album, we classify this track as a single. Furthermore, we believe that the track originated from India. Nanak Sab Ton Pyara is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Nanak Sab Ton Pyara by Princi Thakur, Devenderpal Singh, Rajat Kumar having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rangi Saari Gulabi Chunariya | Priyankaa Bhattacharya | E Major | 7 | 12B | 122 BPM | ||
| Mere Tan Me Bhi Ram Mere Man Me Bhi Ram | Shikha Rana | B Major | 5 | 1B | 84 BPM | ||
| Mann na kar soch vichar | SPARSH INTERNATIONAL, Priyal Parikh | G Major | 7 | 9B | 120 BPM | ||
| Vihirich Thand Gaar Pani (Mayur Ravte) | Rohit Khutade | F♯ Minor | 8 | 11A | 170 BPM | ||
| Bhor Bhayi | Shagun Sodhi | C Major | 8 | 8B | 93 BPM | ||
| Krishna Vandana | Nikhil Verma | D♭ Minor | 6 | 12A | 148 BPM | ||
| Dev stuti | Hritik Jain | A♭ Major | 7 | 4B | 87 BPM | ||
| Kitna Pyara Mera Yeshu | KR Records, Chandra Debbarma | D♭ Major | 6 | 3B | 105 BPM | ||
| Koi Sunta Hai Guru Gyani | Kabir Bhajan | G Major | 5 | 9B | 138 BPM | ||
| Shyama Teri Muraliya | Shambhavi Thakur, Shubham Agrawal | F Minor | 5 | 4A | 82 BPM | ||
| Hare Krishna Hare krishna|Divine Hare Krishna Mahā Mantra Kirtan | Hari-Nāma Eva Kevalam | D♭ Major | 6 | 3B | 105 BPM | ||
| Shri Sachidanand | Mann Taneja, Sanchari Bose | F Major | 5 | 7B | 120 BPM | ||
| हमें राम ना मिला | Hume Ram Na Mila | Nirgun Chetavani Bhajan | Kabir Bhajan | E Minor | 4 | 9A | 61 BPM | ||
| Barsane Wali Radhe | Monika Bhatt | E♭ Major | 6 | 5B | 93 BPM | ||
| Ganesh Chalisa | Vinay Sapru, Puneet Dixit, Asit Tripathy | F♯ Major | 3 | 2B | 135 BPM | ||
| Govinda Govinda | Jaya Kishori | B Major | 5 | 1B | 140 BPM | ||
| Hamari Kishori Radha Rani | Jaya Tripathi | G Minor | 5 | 6A | 79 BPM | ||
| Mujhe De Darshan Girdhari Re | Jai Jai Bhajans, Indresh Upadhyay | B♭ Major | 5 | 6B | 128 BPM | ||
| Mast Mast | Shaan, Amit Mutreja, Rickie, Kuku Prabhas | G Major | 6 | 9B | 84 BPM | ||
| Chahe Mera Dil Jaaye | Sonu Raja, Rimi Roy | D♭ Major | 6 | 3B | 105 BPM | ||
| PARICHAYA "EUTA KATHA" | Prabisha Adhikari | F Minor | 5 | 4A | 106 BPM | ||
| Gehna Zevar Ya Zanjeer Title Song | Amjat Ali, Ketaki Mategaonkar | G Minor | 5 | 6A | 76 BPM | ||
| Laapata Dil - Female Version | Sneha Bhattacharya, Suraj Nag, Varun Chaturvedi | D♭ Major | 6 | 3B | 105 BPM | ||
| Milta Hai Saacha Sukh Kewal (Ardaas) | Simran Bumrah Insan | D♭ Major | 4 | 3B | 82 BPM | ||
| Sarvopari Sahajanand | Divyang Ray, Aabhas Joshi | D Major | 5 | 10B | 115 BPM |