Arthur Sullivan, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey's '39. To help unhappy commoners' had a release date set for January 1, 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company's "Gilbert & Sullivan Collection" album is number 18 out of 456. 39. To help unhappy commoners is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of 39. To help unhappy commoners by Arthur Sullivan, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus) | Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De Strasbourg | A Major | 1 | 11B | 109 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin | F Major | 1 | 7B | 81 BPM | ||
| Orphée aux enfers, ACT 2, Troisième tableau: un roi de Béotie - Le boudoir de Pluton: Quand j'étais roi de Béotie (John Styx) | Jacques Offenbach, Steven Cole/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A♭ Major | 1 | 4B | 142 BPM | ||
| Kobenhavns Jernbanedamp Galop (Copenhagen Steam Railway Galop): Kjobenhavens Jernbane-Damp-Galop | Hans Christian Lumbye, Slovak State Philharmonic Orchestra, Mika Eichenholz | E Major | 2 | 12B | 82 BPM | ||
| Sullivan: The Mikado or The Town of Titipu, Act 2: No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko) | Arthur Sullivan, Monica Sinclair/Sir Geraint Evans/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | E♭ Major | 2 | 5B | 101 BPM | ||
| The Mikado / Act 2: 27. A more humane Mikado never did in Japan exist | Arthur Sullivan, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | A Major | 3 | 11B | 98 BPM | ||
| The Mikado: I've Got a Little List | Eric Idle | E♭ Major | 1 | 5B | 119 BPM | ||
| 15. When darkly looms the day | Arthur Sullivan, Mary Sansom, Pauline Wales, Jennifer Toye, Gillian Knight, Yvonne Newman, Thomas Round, Alan Styler, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | B♭ Major | 2 | 6B | 94 BPM | ||
| H.M.S. Pinafore, Act I: A British Tar | Gilbert & Sullivan Society of Houston | F♯ Minor | 3 | 11A | 125 BPM | ||
| Trial by Jury: All Hail, Great Judge! | Gilbert & Sullivan Society of Houston | G Major | 2 | 9B | 89 BPM | ||
| 6. And I have journey'd for a month | Arthur Sullivan, Colin Wright, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 1 | 5B | 126 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
| The Queen of Spades, Op. 68: Introduction | Pyotr Ilyich Tchaikovsky, Boris Khaikin, Bolshoi Theatre Orchestra | D Major | 2 | 10B | 176 BPM | ||
| Gianni Schicchi: "Ai miei cugioni Zita e Simone" | Giacomo Puccini, Ewa Podles, Enrico Fissore, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 0 | 8B | 97 BPM | ||
| Peter and the Wolf, Op. 67: Early One Morning, Peter Opened the Gate and Went out into the Big Green Meadow | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 79 BPM | ||
| L'elisir d'amore / Act I: Come Paride vezzoso | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
| Gounod: Faust, Act 2: "Allons, amis ! Point de vaines alarmes !" (Wagner, Méphistophélès, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Marc Barrard, Orchestre Du Capitole De Toulouse | F Major | 2 | 7B | 94 BPM | ||
| Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "Ye Spotted Snakes" | Felix Mendelssohn, Otto Klemperer, Heather Harper, Janet Baker, Philharmonia Chorus, Philharmonia Orchestra | G Major | 0 | 9B | 94 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 132 BPM | ||
| Myrthen, Op. 25: No. 1, Widmung | Felicity Lott, Graham Johnson | A♭ Major | 1 | 4B | 113 BPM | ||
| Trionfo di Afrodite - Concerto scenico: VI. Song of the married couple in the wedding chamber | Carl Orff, Dagmar Schellenberger, Lothar Odinius, Lisa Larson, Eva Maria Nobäuer, Barbara Reiter, Robert Swenson, Franz Welser-Moest, Franz Welser-Möst, Muenchner Rundfunkorchester, Das Münchner Rundfunkorchester | B♭ Minor | 0 | 3A | 180 BPM | ||
| La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
| H.M.S. Pinafore, Act I: Finale. Can I Survive This Overbearing? | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Welsh National Opera Chorus, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan, Valerie Seymour, John King, Philip Lloyd Evans | E Major | 1 | 12B | 112 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Auf, wach auf, mein Jüngelchen" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 1 | 5B | 96 BPM |