Megson's 'Patterns' had a release date set for May 27, 2016. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Megson's "Good Times Will Come Again" album is number 9 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Patterns is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Patterns by Megson to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Namer of Clouds | Kitty Macfarlane | G Major | 3 | 9B | 96 BPM | ||
| When the Day Is On the Turn | Dallahan | D Minor | 9 | 7A | 111 BPM | ||
| Bailey Hill / Wittenham Clumps | Spiers & Boden | D Major | 7 | 10B | 105 BPM | ||
| Take Me Out Drinking | Iona Fyfe | C Major | 3 | 8B | 110 BPM | ||
| Waiting for the Lark | Jackie Oates | D Major | 1 | 10B | 51 BPM | ||
| Fair Winds | Fara | E♭ Major | 3 | 5B | 77 BPM | ||
| Steel and Stone (Black Water) | Kris Drever | A Major | 4 | 11B | 139 BPM | ||
| 'Twas on One April's Morning | Show Of Hands | G Major | 4 | 9B | 140 BPM | ||
| Neither Maid nor Man | Tarren | C Minor | 3 | 5A | 117 BPM | ||
| Òran an Amadain Bhòidhich | Hò-rò | D Major | 1 | 10B | 120 BPM | ||
| December Moon | The Henry Girls | C Major | 7 | 8B | 95 BPM | ||
| Maids When You're Young | Lucy Ward | B Major | 2 | 1B | 139 BPM | ||
| The Road Not Taken | Salt House | A♭ Major | 2 | 4B | 124 BPM | ||
| Drunken Serenade Inc the Banshee Reel | Merry Hell | G Major | 6 | 9B | 91 BPM | ||
| Big River | Kathryn Tickell, Bob Fox | D Major | 3 | 10B | 109 BPM | ||
| Half Wild | Kitty Macfarlane | A♭ Major | 3 | 4B | 73 BPM | ||
| Diego in Detroit | Eric Brace, Thomm Jutz | A Minor | 2 | 8A | 77 BPM | ||
| Erin Go Bragh | Hannah Rarity | A Minor | 4 | 8A | 183 BPM | ||
| Tom Paine’s Bones | Hò-rò | E♭ Major | 5 | 5B | 102 BPM | ||
| I Never Will Marry | The Magpies | G Major | 4 | 9B | 107 BPM | ||
| Such a Thing as Society | Ewan McLennan, George Monbiot | B Major | 4 | 1B | 137 BPM | ||
| Prickle-eye Bush | Spiers & Boden | G Major | 7 | 9B | 118 BPM | ||
| Man in the Moon | The Full English | C Major | 2 | 8B | 175 BPM | ||
| The Baker's Daughter | Merry Hell | D Major | 5 | 10B | 105 BPM | ||
| Schiehallion | Iona Lane | C Minor | 2 | 5A | 130 BPM |