"Private Blues" by Leith Stevens had its release date on January 1, 1954. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Private Hell 36". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Private Blues is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Private Blues by Leith Stevens having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Knife in the Water 5 | Krzysztof Komeda | B♭ Minor | 1 | 3A | 105 BPM | ||
| The Things We Did Last Summer | Dizzy Reece | A♭ Major | 2 | 4B | 131 BPM | ||
| Market Research | Tony Kinsey | F Minor | 2 | 4A | 137 BPM | ||
| Under Capricorn | Gil Melle | C Major | 3 | 8B | 171 BPM | ||
| The Rescue / Finale | Paramount Pictures Studio Orchestra, Leith Stevens | C Major | 2 | 8B | 141 BPM | ||
| Augend | Ezra Barron | A♭ Major | 1 | 4B | 77 BPM | ||
| Frankie Machine | Elmer Bernstein | A Minor | 3 | 8A | 130 BPM | ||
| Late Night Monologue | Pause maybe? | B♭ Minor | 1 | 3A | 77 BPM | ||
| The Cry Of My People | Lee Morgan | G Minor | 2 | 6A | 101 BPM | ||
| Farewell, My Lovely | David Shire | E♭ Minor | 3 | 2A | 102 BPM | ||
| Betsy In a White Dress | Bernard Herrmann, Dave Blume | C Minor | 4 | 5A | 94 BPM | ||
| Chino | Leith Stevens | A♭ Major | 5 | 4B | 105 BPM | ||
| Chelsea Bridge | Javon Jackson, David Hazeltine, Tony Reedus, Paul Gill | A♭ Major | 1 | 4B | 118 BPM | ||
| Little Waltz | Thad Jones, Pepper Adams Quintet | F Minor | 1 | 4A | 157 BPM | ||
| The Gentle Mind | Pause maybe? | C Minor | 1 | 5A | 169 BPM | ||
| Old Mirkbo Reach | Bob Barnard and Friends | B♭ Major | 2 | 6B | 100 BPM | ||
| Afternoon In August | Jack Teagarden | A♭ Major | 2 | 4B | 80 BPM | ||
| Neon Lights and Snowflakes | Jazz & Co. | A Minor | 0 | 8A | 180 BPM | ||
| A Streetcar Named Desire: Blanche | Alex North | F Minor | 1 | 4A | 111 BPM | ||
| Use and Abuse, Pt. 4 | Andrew Hale, Simon Hale | E Major | 8 | 12B | 128 BPM | ||
| Half-Spoken Notes in Passing | Jacob Brown | F Major | 0 | 7B | 67 BPM | ||
| Frog Men | Gerhard Trede, THE GERHARD TREDE FILM ORCHESTRA | D Minor | 4 | 7A | 99 BPM | ||
| Minor 9th | Andrew Hale | A Major | 0 | 11B | 77 BPM | ||
| Daddy, Long Legs | Leith Stevens | E♭ Minor | 4 | 2A | 84 BPM | ||
| Taxi Driver | Bernard Herrmann, J.A.C. Redford, Carl Allen, Kenny Kirkland, Reginald Veal, Joe Henderson, Terence Blanchard | C Major | 2 | 8B | 172 BPM |