On 2005, the song "Here Comes the Family" was released by Martin Gordon. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Martin Gordon's "God's on His Lunchbreak (Please Call Back)" album is number 7 out of 13. Based on our statistics, Here Comes the Family's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Here Comes the Family by Martin Gordon to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| King Tut - 45 Version | Steve Martin and The Toot Uncommons | A Major | 7 | 11B | 125 BPM | ||
| The Jedi Went Down to Tattooine | Kirt Connor | G Major | 8 | 9B | 134 BPM | ||
| Happy Happy, Joy Joy | Random Encounter | C Major | 8 | 8B | 80 BPM | ||
| Sky Sharks | Steam Powered Giraffe | B♭ Minor | 8 | 3A | 120 BPM | ||
| Sittin' Too Long | The Rock-afire Explosion | C Major | 9 | 8B | 182 BPM | ||
| When Ukuleles Attack | When Ukuleles Attack‽ | F Major | 5 | 7B | 110 BPM | ||
| Census | Sammy J & Randy | D Minor | 8 | 7A | 126 BPM | ||
| The Sword of Damocles | Richard O'Brien | B Major | 9 | 1B | 174 BPM | ||
| Moving Right Along | The Burbank Connection | B Major | 2 | 1B | 109 BPM | ||
| Where Did the Gremlins Go? | Nick Lutsko | E Major | 7 | 12B | 150 BPM | ||
| Oil on the Floor | The Cog is Dead | F Major | 5 | 7B | 100 BPM | ||
| Good For You (Good For Me) | Jared Emerson-Johnson | A Major | 8 | 11B | 120 BPM | ||
| Camp Granada (Hello Muddah, Hello Fadduh) | Allan Sherman | A Major | 4 | 11B | 116 BPM | ||
| King Kong | Tripod | C Major | 6 | 8B | 190 BPM | ||
| El Tango de Sex Robot - Recorded Live in London | Flo & Joan | F Minor | 4 | 4A | 130 BPM | ||
| Sex Offender Shuffle | Scott Gairdner, Alfred Montejano | D♭ Major | 8 | 3B | 105 BPM | ||
| Ghost Chickens in the Sky | Moosebutter | A Minor | 4 | 8A | 138 BPM | ||
| The Vomit Song (Dr. Demento Remix) | Barnes & Barnes, Dr. Demento | C Minor | 2 | 5A | 116 BPM | ||
| I Am the Very Model of a Modern Major-General | Festival Chorus And Orchestra | B♭ Major | 5 | 6B | 102 BPM | ||
| Enigma | The Horne Section | A♭ Major | 4 | 4B | 164 BPM | ||
| Third Act Misunderstanding | Kevin Temmer | G Major | 6 | 9B | 146 BPM | ||
| Wiper Blades | Heywood Banks | A Major | 7 | 11B | 126 BPM | ||
| He's On Epstein's List | Talbot Henley | F♯ Minor | 4 | 11A | 127 BPM | ||
| To Morrow | The Kingston Trio | G Major | 4 | 9B | 134 BPM | ||
| Schnitzelbank | Animaniacs | G Major | 3 | 9B | 144 BPM |