On February 13, 2013, the song "Sakhi Ho Saiya" was released by Pawan Singh. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Pawan Singh, Khushboo Jain's "Lehanga Laal Ho Jaai" album is number 6 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Sakhi Ho Saiya's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sakhi Ho Saiya by Pawan Singh to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tuk Tuk Mahara Dil Ka Kargi | Samay Singh Peelwal | C Major | 9 | 8B | 106 BPM | ||
| Sainya Tohar Dj Bajabei Chhau Ge | Dharmendra Nirmaliya | B♭ Minor | 10 | 3A | 130 BPM | ||
| Ram Krishna Bajrangi - Title Track - From "Ram Krishna Bajrangi" | Dhananjay Mishra, Rakesh Mishra, Ritesh Pandey | B♭ Minor | 9 | 3A | 189 BPM | ||
| Prashasan | Raushan Rohi, Sristi Bharti | D♭ Major | 3 | 3B | 154 BPM | ||
| Bilwa Phore Wala | Awadhesh Premi Yadav | A Major | 10 | 11B | 150 BPM | ||
| Chand Wala Mukhra | Sahil Deewana | D♭ Minor | 9 | 12A | 128 BPM | ||
| Jaldi Jaldi Kar Chhauda Lago Hai Badi Dar | Gunjan Singh, Goldi Yadav | C Major | 10 | 8B | 89 BPM | ||
| Bhootni Bhabhi - From "Ghoonghat Mein Ghotala 3" | Pravesh Lal Yadav, Sajan Mishra, Sugam Singh | B♭ Major | 9 | 6B | 92 BPM | ||
| Bhagta Re Aap Rukhala Raj | Ramavtar Marwadi | A♭ Major | 8 | 4B | 154 BPM | ||
| Jija Baat Maani | Pawan Singh, Mamta Rawat | D♭ Major | 9 | 3B | 160 BPM | ||
| Nachaniya Ke Chumma | Awadhesh Premi Yadav | D♭ Major | 10 | 3B | 155 BPM | ||
| Bode Kagaj Ki | Ramdhan Gujjar, Pushpa Gosai, Ramesh Tiwari | A Major | 9 | 11B | 82 BPM | ||
| Jab Se Bhelo Tor Biyah | Bansidhar Chaudhary | D Major | 10 | 10B | 170 BPM | ||
| Chhaudi Chatal Chinaar Hako Re Betwa | Suraj Bihari, Sonam yadav | F Major | 10 | 7B | 88 BPM | ||
| Kissa - Mahabharat Kichak Vadh | Rishipal Khadana, Tarun Baliyan | B Major | 10 | 1B | 146 BPM | ||
| Tharo Poto Baniyo Dadi Maa Tharo Baridaar Ji | Ramavtar Marwadi | C Minor | 9 | 5A | 124 BPM | ||
| Bhajan Kar Hari Vishnu Ka | Anu Dubey | G Minor | 10 | 6A | 110 BPM | ||
| Pagla Jaito Baba Duyari | Aashish Yadav | F Minor | 9 | 4A | 87 BPM | ||
| Holi Me Dabal Maja | Sannu Kumar | A Minor | 10 | 8A | 135 BPM | ||
| Kaise Kari Biyahwa | Mukul Singh, Shilpi Raj | B♭ Minor | 10 | 3A | 130 BPM | ||
| Suga Par Luga Utha ke | Awdhesh Premi Yadav | C Major | 10 | 8B | 145 BPM | ||
| May Kr Bholi Aatma Nugra Ko Sang | Bheru Puri Sopura | D♭ Major | 9 | 3B | 80 BPM | ||
| History of Sambalpuri | Bhuban Mahanand | B Minor | 10 | 10A | 127 BPM | ||
| Ghoom Jamana Dekh Liya Par Mila Koi | Mahendra Sharma | G Major | 7 | 9B | 119 BPM | ||
| Diwano Hogyo Karni Maa Thare Nam Ko | Ramavtar Marwadi | E♭ Minor | 9 | 2A | 95 BPM |