"Finale - Extended Choral Track" by Miklós Rózsa had its release date on January 29, 1960. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 44 out of 88 in Ben Hur (Original Motion Picture Soundtrack) [Deluxe Version] by Miklós Rózsa. The popularity of Finale - Extended Choral Track is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Finale - Extended Choral Track by Miklós Rózsa is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The O'Hara Family | Max Steiner | F Major | 2 | 7B | 102 BPM | ||
| The Boy's Burial / Pran Sees The Red Cross - From “The Killing Fields” Soundtrack / Remastered 2015 | Mike Oldfield | C Major | 1 | 8B | 68 BPM | ||
| Matriz | Vexel Mode | D Major | 3 | 10B | 94 BPM | ||
| Immolation (With Our Lives, We Give Life) | John Williams, Boston Symphony Orchestra | F Major | 0 | 7B | 86 BPM | ||
| Main Title | Jerome Moross | G Major | 5 | 9B | 177 BPM | ||
| Medley (Laszlo / As Time Goes By / Orders / Die Wacht Am Rhein / Motor / Ilsa Returns / Telephone / Deutschland Über Alles / La Marseillaise / Plane) | The Warner Bros. Studio Orchestra | F Major | 2 | 7B | 99 BPM | ||
| Expressions Arent a Crime Yet | Valhalla Orquestra, Charles Honeywell | F Major | 3 | 7B | 85 BPM | ||
| The Buoyant Swordsman | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 4 | 7A | 106 BPM | ||
| Estrategia | Armonias | C Major | 1 | 8B | 140 BPM | ||
| Acercamientos | Armonias | F Minor | 1 | 4A | 85 BPM | ||
| Ripley - Instrumental | Harry Rabinowitz | D Minor | 3 | 7A | 112 BPM | ||
| This Way!; Journey to Innisfree & Humble Cottage | Victor Young | G Major | 1 | 9B | 134 BPM | ||
| The Wizard of Oz - Opening Title | The M-G-M Studio Orchestra and Chorus | A Major | 4 | 11B | 119 BPM | ||
| Cliffhanger Theme | Trevor Jones | D Major | 4 | 10B | 89 BPM | ||
| The Maltese Falcon | Moscow Symphony Orchestra, Adolph Deutsch, John Morgan | F Major | 1 | 7B | 117 BPM | ||
| Shane Theme - From "Shane" Original Soundtrack | Victor Young | F Major | 2 | 7B | 178 BPM | ||
| Le combat final - Bande originale du film "Les Légendaires" | Cécile Corbel, Simon Caby | B♭ Minor | 3 | 3A | 93 BPM | ||
| Dreaming of Fiji | Philip Glass | G Minor | 0 | 6A | 96 BPM | ||
| Sensuality | Roy Ricardo, Ricc Roy | F Major | 2 | 7B | 83 BPM | ||
| Craven's Return | Zbigniew Preisner | F Major | 2 | 7B | 0 BPM | ||
| Fort Battle | Trevor Jones | D Major | 4 | 10B | 150 BPM | ||
| Prepix Montage/Main Title | Joel McNeely | C Major | 3 | 8B | 78 BPM | ||
| Rupert Bear | Academy of St. Martin in the Fields, Gabriel Yared | B♭ Major | 2 | 6B | 90 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| A las Puertas de Nada | Las Eternas | E♭ Major | 3 | 5B | 81 BPM |