The Mohawks's ' "Beat Me Till I'm Blue" was released on its scheduled release date, 1968. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Beat Me Till I'm Blue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Champ". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Beat Me Till I'm Blue is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Beat Me Till I'm Blue by The Mohawks having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Family Tree | Family Tree, Sharon Brown | A Minor | 6 | 8A | 106 BPM | ||
| Everything Is Everything | Booker T. Jones | A Major | 9 | 11B | 101 BPM | ||
| Funky Donkey | Bernard "Pretty" Purdie | C Major | 9 | 8B | 172 BPM | ||
| Soul Junction | The Backyard Heavies | G Major | 8 | 9B | 95 BPM | ||
| Don't Joke With a Hungry Man (feat. Spanky Wilson) | Quantic, Spanky Wilson | C Major | 8 | 8B | 110 BPM | ||
| Come Down | The Beginning Of The End | E Minor | 9 | 9A | 112 BPM | ||
| Jungle Fever | Bacao Rhythm & Steel Band | F Minor | 9 | 4A | 99 BPM | ||
| Pick Up The Pieces One By One | A.A.B.B. | C Major | 9 | 8B | 104 BPM | ||
| Hunk O' Funk | Jack McDuff | C Minor | 4 | 5A | 173 BPM | ||
| Cherry Pink | The Mohawks | A Major | 5 | 11B | 99 BPM | ||
| So Dam Funky | Hot Chocolate, Lou Ragland | F Minor | 7 | 4A | 88 BPM | ||
| House Party | Fred Wesley | C Minor | 6 | 5A | 102 BPM | ||
| Fried Okra | Charles Wright & The Watts 103rd Street Rhythm Band | B♭ Major | 1 | 6B | 106 BPM | ||
| Rubberneck | Speedometer | F Minor | 8 | 4A | 104 BPM | ||
| E.V.A. | Jean-Jacques Perrey, Fatboy Slim | B♭ Major | 8 | 6B | 107 BPM | ||
| Looking Back | The Mohawks | G Major | 3 | 9B | 98 BPM | ||
| EL NINO | The Sound Stylistics | D Minor | 8 | 7A | 125 BPM | ||
| The Traveller, Pt. 2 | The Haggis Horns | C Major | 8 | 8B | 110 BPM | ||
| Rap It Together | Detroit Sex Machines | B Minor | 10 | 10A | 176 BPM | ||
| Getcho Soul Togtha (Part Two) | Breakestra | G Major | 9 | 9B | 109 BPM | ||
| Take Me | Fabulous Souls | B Major | 7 | 1B | 111 BPM | ||
| Money Runner | Quincy Jones | A Major | 8 | 11B | 127 BPM | ||
| Funky Train | The Poets Of Rhythm | C Major | 9 | 8B | 100 BPM | ||
| Gotta Learn How to Dance | Fatback Band | C Major | 9 | 8B | 190 BPM | ||
| Psychedelic Sally | Eddie Jefferson | B♭ Minor | 5 | 3A | 126 BPM |