CodeName: Rocky's 'Right Away' had a release date set for February 19, 2002. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in CodeName: Rocky's "Infinity" album is number 7 out of 8. In terms of popularity, Right Away is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Right Away by CodeName: Rocky to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pump Fake | Devon Kay & The Solutions | E Minor | 3 | 9A | 133 BPM | ||
| Swallow Poison | Omnigone | D♭ Major | 9 | 3B | 181 BPM | ||
| Rising From the Ashes | Sampson Loudheart | E Minor | 8 | 9A | 120 BPM | ||
| Pralines & Dick | Kill Lincoln | A♭ Major | 10 | 4B | 112 BPM | ||
| Hate The Day | Left Alone | C Major | 10 | 8B | 195 BPM | ||
| The Straw | Victims of Circumstance | A♭ Major | 9 | 4B | 112 BPM | ||
| The Funeral | Local Resident Failure | F Major | 9 | 7B | 160 BPM | ||
| Dog Town | Common Rider | E Major | 8 | 12B | 161 BPM | ||
| Relax | Aurelio Munoz | B Minor | 4 | 10A | 124 BPM | ||
| Electric Echoes | Levied Riff Adventure | F Major | 8 | 7B | 148 BPM | ||
| Take This With You | Flying Raccoon Suit | E Major | 10 | 12B | 142 BPM | ||
| Feral Distortion | RhymeWarp Catalyst | A Major | 9 | 11B | 200 BPM | ||
| Big Man on Campus | Millington | A Major | 10 | 11B | 100 BPM | ||
| PHANTOMS EMBRACE | Nate CalRockinWolf | D Major | 8 | 10B | 104 BPM | ||
| So Easy | 4 Point 0 | A♭ Major | 9 | 4B | 170 BPM | ||
| FADING GLORY | Rixton Ravenstrike | D♭ Major | 9 | 3B | 137 BPM | ||
| The Long Road to Zurich | The JB Conspiracy | D♭ Minor | 9 | 12A | 101 BPM | ||
| Yes, I Can't | Devon Kay & The Solutions | F Major | 9 | 7B | 173 BPM | ||
| Post-Ironic Sinkhole | We Are The Union | B Major | 7 | 1B | 107 BPM | ||
| Hoosier Love | MU330 | B♭ Major | 9 | 6B | 96 BPM | ||
| Almost Punk Enough | Slapstick | D Major | 5 | 10B | 92 BPM | ||
| DARKENED DESCENT | Crimson Echoes A.M. Gray | D Major | 9 | 10B | 157 BPM | ||
| Think Straight Again | The Barrymores | E♭ Major | 9 | 5B | 113 BPM | ||
| Your Way, Your Time | We Are The Union | A♭ Major | 9 | 4B | 180 BPM | ||
| Hoods Up Heads Down | Faintest Idea | B Minor | 10 | 10A | 195 BPM |