Arthur Sullivan, Pro Arte Orchestra/Sir Malcolm Sargent's 'Sullivan: HMS Pinafore or The Lass that Loved a Sailor: Overture (Allegro - Allegro vivace)' had a release date set for June 13, 2011. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Sullivan, Various Artists, Sir Malcolm Sargent's "Gilbert & Sullivan: HMS Pinafore" album is number 1 out of 49. Based on our statistics, Sullivan: HMS Pinafore or The Lass that Loved a Sailor: Overture (Allegro - Allegro vivace)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sullivan: HMS Pinafore or The Lass that Loved a Sailor: Overture (Allegro - Allegro vivace) by Arthur Sullivan, Pro Arte Orchestra/Sir Malcolm Sargent to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elijah, Op. 70, MWV A25 / Part 2: "Be not afraid, saith God the Lord" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 2 | 9B | 119 BPM | ||
| La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
| Berlin: Annie Get Your Gun, Act I: My Defenses Are Down | Irving Berlin, Kim Criswell, London Sinfonietta, John McGlinn, Thomas Hampson | D♭ Minor | 3 | 12A | 116 BPM | ||
| Lohengrin, WWV 75 / Act I: "Einsam in trüben Tagen" | Richard Wagner, Cheryl Studer, Hartmut Welker, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 82 BPM | ||
| The Maid of the Mountains (highlights) (1972 Digital Remaster) (1972 - Remaster), Act I: My life is love (Love is my life) (Teresa, chorus, Beppo)* | Harold Fraser-Simson, Chorus & Orchestra/Derek Taverner, Derek Taverner | G Major | 2 | 9B | 89 BPM | ||
| Article | RECUERDO | G Major | 2 | 9B | 74 BPM | ||
| Delibes: Lakmé: Prélude | Léo Delibes, Alain Lombard, Orchestre du Theatre National de IOpera-Comique | D♭ Major | 2 | 3B | 113 BPM | ||
| My Fair Lady: Overture | Frederick Loewe, Sinfonia Of London, John Wilson | C Major | 2 | 8B | 87 BPM | ||
| When the Foeman Bares His Steel | The Pirates Of Penzance | C Major | 5 | 8B | 127 BPM | ||
| A High, Holy Calling God's Given | Hidden Treasures Music, Ståle Risnes, Mary-Lee Jacquier | G Major | 2 | 9B | 74 BPM | ||
| Die Fledermaus, Act I: Terzett. Nein, mit solchen Advokaten (Rosalinde, Eisenstein, Blind) | Johann Strauss II, Friedrich Haider, Aga Mikolaj, Paul Armin Edelmann, Jürgen Sacher, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | G Major | 2 | 9B | 74 BPM | ||
| Oh, Better Far to Live and Die | The Pirates Of Penzance | F♯ Major | 4 | 2B | 107 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | B♭ Major | 2 | 6B | 48 BPM | ||
| Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara) | George Gershwin, Ira Gershwin, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 153 BPM | ||
| Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | F Minor | 1 | 4A | 63 BPM | ||
| Acte III - Tableau IV : Salve Regina | Francis Poulenc, Jean-Pierre Marty | G Major | 2 | 9B | 69 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| Where the Bee Sucks | Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 70 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Vittoria, mio core | Giacomo Carissimi, Sua Jo, The Czech Symphony Orchestra | C Major | 4 | 8B | 175 BPM | ||
| H.M.S. Pinafore, Act I: The Nightingale | Gilbert & Sullivan Society of Houston | A♭ Major | 1 | 4B | 89 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM |