"Violin Concerto: II. Far Cliffs" by Adrian Sutton, Fenella Humphreys, BBC Philharmonic, Michael Seal had its release date on October 4, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 16 in Adrian Sutton: Orchestral Works by Adrian Sutton, Fenella Humphreys, BBC Philharmonic, Michael Seal. Violin Concerto: II. Far Cliffs is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto: II. Far Cliffs by Adrian Sutton, Fenella Humphreys, BBC Philharmonic, Michael Seal is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The North Strand | Once Ensemble | C Major | 4 | 8B | 122 BPM | ||
| Austenland Symphony: IV. Rondo | Ilan Eshkeri | G Major | 4 | 9B | 105 BPM | ||
| Sail on, Boys | Operation Mincemeat | D Major | 4 | 10B | 92 BPM | ||
| Serenade for Strings | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 89 BPM | ||
| Starburst | Jessie Montgomery, Julian Wachner | A Major | 2 | 11B | 110 BPM | ||
| All I Have | Samuel Sim | G Major | 1 | 9B | 174 BPM | ||
| Changing Tides | Catrin Finch | C Major | 2 | 8B | 126 BPM | ||
| Final Struggle and Triumph | Angela Morley | C Major | 3 | 8B | 115 BPM | ||
| War Horse Orchestral Suite: V. The Charge | Adrian Sutton, BBC Philharmonic, Michael Seal | B Major | 4 | 1B | 89 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington | B♭ Major | 2 | 6B | 129 BPM | ||
| Prologue (Look Down) / At the End of the Day | Bournemouth Symphony Orchestra, Seann Alderking | F Minor | 3 | 4A | 100 BPM | ||
| Martin Guerre | Matt Rawle | D Major | 3 | 10B | 81 BPM | ||
| Every Dog Has His Day | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | F Major | 1 | 7B | 87 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| Prologue: The Old Red Hills Of Home | Jeff Edgerton, Don Chastain, Parade Ensemble | G Minor | 4 | 6A | 92 BPM | ||
| The Quietest Hour | ALE TRIP | F♯ Major | 2 | 2B | 138 BPM | ||
| Red Line | Inge Dimmel, Hella | D♭ Major | 1 | 3B | 94 BPM | ||
| A Corker of a Corker | Christopher Willis | A Minor | 4 | 8A | 132 BPM | ||
| The Soldier's Dream | Micaela Diamond, Jin Ha, 'Here We Are' Original Cast | C Major | 3 | 8B | 146 BPM | ||
| The Journey of the Sun | George Fenton | E Minor | 3 | 9A | 106 BPM | ||
| County Hall | Emilie Levienaise-Farrouch | C Major | 0 | 8B | 75 BPM | ||
| Concert Suite from "Henry V": Touch her soft lips, and part | William Walton, Bournemouth Symphony Orchestra, Andrew Litton | E Minor | 0 | 9A | 71 BPM | ||
| Frontiers: I. First Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | D Major | 2 | 10B | 109 BPM | ||
| Eine Steppenskizze aus Mittelasien: Allegretto con moto | Alexander Borodin, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 139 BPM | ||
| Here Comes The Morning | Iain Glen, Matt Rawle | F♯ Major | 2 | 2B | 62 BPM |