On March 1, 2014, the song "Ek Doot Kans Lo Pahuncha" was released by Munna Saini, Parvati Rajput. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Munna Saini, Parvati Rajput's "Krishna Janam" album is number 6 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Ek Doot Kans Lo Pahuncha is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ek Doot Kans Lo Pahuncha by Munna Saini, Parvati Rajput to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ajabe Ajabe | Mamta Chandrakar | F♯ Major | 6 | 2B | 109 BPM | ||
| Kajrare Doyi Nain Tumhare | Deshraj Pateriya, Munna Saini, Muneem Khan, Parvati Rajput | F♯ Minor | 7 | 11A | 159 BPM | ||
| Jagdamba Ahi Avlamab Humar | Kunj Bihari Mishr | B♭ Major | 7 | 6B | 84 BPM | ||
| Sharan Teri Sukh Paya | Sudhir Vyas | E♭ Minor | 5 | 2A | 95 BPM | ||
| Vari Jau Re - Original | Sugan Bucheti, Twinkle Vaishnav, NA | A Major | 7 | 11B | 141 BPM | ||
| Padharo Shyam Baba | Reshmi Sharma | E♭ Major | 7 | 5B | 150 BPM | ||
| Konau Nasha Nasha Jo Jano | Munna Saini, Parvati Rajput | E Minor | 5 | 9A | 120 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Nanak Chinta Mat Karho | Bhai Davinder Singh Ji Sodhi | F Minor | 5 | 4A | 124 BPM | ||
| Dhovat - Dhovat Tohri Mandirva | Bharat Sharma Vyas | B♭ Major | 8 | 6B | 142 BPM | ||
| Hum Baithe Tum Deho Aseesa | Bhai Anantvir Singh Ji LA Wale | B♭ Minor | 8 | 3A | 116 BPM | ||
| Shree Janak Ke Dwaro Dekho | Munna Saini, Parvati Rajput | A♭ Major | 7 | 4B | 106 BPM | ||
| Daati Ke Darbaar Kanjaka (From "Ras Barse Tere Bhawan Mein") | Sonu Nigam | D♭ Major | 8 | 3B | 138 BPM | ||
| O Sahiba O Sahiba | Kavita Krishnamurthy, Sonu Nigam | C Minor | 8 | 5A | 131 BPM | ||
| Loki Khouray Pee Kay Kiwen | Sardool Sikander | B♭ Major | 5 | 6B | 117 BPM | ||
| More Baba Bhale | Parvati Rajput, Ramkripal Ray | A♭ Major | 8 | 4B | 175 BPM | ||
| Bure Kaam Ka Bura Natija | Sanjay Mittal | B♭ Minor | 9 | 3A | 88 BPM | ||
| Mor Kheti Khaar | Laxman Masturiya, Kavita Vasnik | D Minor | 8 | 7A | 88 BPM | ||
| Pijra Se Bhagal Suganwa | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Main Sehra Bandh Ke - Jhankar | Udit Narayan | B Minor | 8 | 10A | 115 BPM | ||
| Ayodhya Karti Hai Aahvaan | Ravindra Jain, Satish Dehra, Rachna, Deepmala | G Major | 6 | 9B | 144 BPM | ||
| Ramdev Ji Ki Aarti | DC Madana | A♭ Major | 8 | 4B | 91 BPM | ||
| Yede Jindgi Ke Naiye Thikana | Mamta Chandrakar, Sunil Soni | A♭ Major | 9 | 4B | 169 BPM | ||
| Sachu Bolone Mara Shyam | Lalita Ghodadra | F Major | 7 | 7B | 107 BPM | ||
| Chaumaso | Seema Mishra | B Major | 6 | 1B | 113 BPM |