On January 1, 1976, the song "At Play" was released by Alec Gould. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. At Play's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alec Gould, David Lindup's "Kpm 1000 Series: The Nature of Woodwind" album is number 4 out of 35. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, At Play's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of At Play by Alec Gould to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pizzicato Polka | Harry Breuer, Jean-Jacques Perrey | E♭ Major | 4 | 5B | 149 BPM | ||
| Bliss | Alec Gould | F Major | 2 | 7B | 176 BPM | ||
| Buenos Aires | Fernando Mendoza | F Minor | 6 | 4A | 127 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Borsalino: la réussite - 1970 | Claude Bolling | C Major | 7 | 8B | 110 BPM | ||
| A Day by the Sea | Dick Walter | G Major | 1 | 9B | 111 BPM | ||
| Come Sunday: II. Shout! | Omar Thomas, United States Marine Band, Ryan Nowlin | C Minor | 6 | 5A | 139 BPM | ||
| 每一個微笑 | 散步貓 | E Minor | 1 | 9A | 97 BPM | ||
| By the Stream | Alec Gould | F Major | 2 | 7B | 143 BPM | ||
| The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | G Major | 1 | 9B | 58 BPM | ||
| Time Off | James Clarke | E Minor | 3 | 9A | 147 BPM | ||
| Fat Cat | Horseheads Jazz Band, Giancarlo Levano | C Minor | 2 | 5A | 136 BPM | ||
| 1) Waiting for the Robert, E Lee; 2) California Here I Come; 3) Swanee | John Sidney | F Major | 5 | 7B | 114 BPM | ||
| Poirot On Boat | Original Soundtrack | G Major | 3 | 9B | 155 BPM | ||
| Finale | Richard Rodney Bennett | C Major | 3 | 8B | 47 BPM | ||
| The Godfather's Fox-Trot (From "The Godfather") | Carmine Coppola | E Major | 1 | 12B | 87 BPM | ||
| Intermission | Ronald Hanmer | D Minor | 5 | 7A | 153 BPM | ||
| Westminster Waltz | Robert Farnon | D Major | 3 | 10B | 76 BPM | ||
| Hotel Balcony | Original Soundtrack | E♭ Major | 3 | 5B | 144 BPM | ||
| Marquess | Alec Gould | B♭ Minor | 1 | 3A | 54 BPM | ||
| Natural Blonde | David Gold | F Major | 3 | 7B | 121 BPM | ||
| The Raid | Marvin Hamlisch | C Major | 1 | 8B | 111 BPM | ||
| The Boy Next Door (from “Meet Me In St. Louis”) | Hugh Martin, Ralph Blane – arr. Conrad Salinger, Conrad Salinger Orchestra, Buddy Bregman | F Major | 3 | 7B | 69 BPM | ||
| I Enjoy Being A Girl (Quickstep) | Victor Silvester | B♭ Major | 3 | 6B | 101 BPM | ||
| Stroll in the Park | Alan Braden | A Major | 3 | 11B | 90 BPM |