"Rigoletto, Act I: Giovanna, ho dei rimorsi - Live in Rome, 1966" by Giuseppe Verdi, Renata Scotto, Rita Bezzi Brada, Luciano Pavarotti, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini had its release date on January 1, 2010. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "Pavarotti – The Opera Collection 2: Verdi: Rigoletto (Live in Rome, 1966)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Rigoletto, Act I: Giovanna, ho dei rimorsi - Live in Rome, 1966 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto, Act I: Giovanna, ho dei rimorsi - Live in Rome, 1966 by Giuseppe Verdi, Renata Scotto, Rita Bezzi Brada, Luciano Pavarotti, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Giacomo Aragall, Pilar Lorengar, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel | B♭ Major | 2 | 6B | 68 BPM | ||
| Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
| Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
| Lohengrin, WWV 75, Act III: Treulich geführt ziehet dahin "Bridal Chorus" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
| Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | ||
| Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
| Rigoletto, Act II: Povero Rigoletto! ... La rà, la rà | Giuseppe Verdi, Audrey Michael, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Wiener Staatsopernchor | D Major | 2 | 10B | 85 BPM | ||
| Overture | Georges Bizet, Herbert von Karajan, Wiener Philharmoniker | D Minor | 4 | 7A | 126 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 85 BPM | ||
| Nessun Dorma! | Mario del Monaco | D Major | 2 | 10B | 85 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | ||
| Requiem, K. 626: II. Kyrie | Wolfgang Amadeus Mozart, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | D Minor | 3 | 7A | 88 BPM | ||
| Frühlingsstimmen, Op. 410 | Johann Strauss II, Slovak Philharmonic, Noriaki Kitamura | B♭ Major | 0 | 6B | 181 BPM | ||
| La traviata / Act II: "Ah! Dite alla giovine" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | E♭ Major | 1 | 5B | 170 BPM | ||
| Requiem: IIj. Lacrymosa | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 2 | 3A | 90 BPM | ||
| Accelerationen Waltz, Op. 234 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 175 BPM | ||
| Turandot, SC 91 / Act 3: Nessun dorma | Giacomo Puccini, Freddie De Tommaso, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | D Major | 2 | 10B | 71 BPM | ||
| Nabucco / Act IV: Cadran, cadranno i perfidi ...O prodi miei, seguitemi | Giuseppe Verdi, Volker Horn, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | E♭ Major | 5 | 5B | 138 BPM | ||
| Il Trovatore - Act II | Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Renato Ercolani, Giuseppe Verdi, Fedora Barbieri, Luisa Villa, Herbert von Karajan, Orchestra and Chorus of La Scala, Nicola Zaccaria | G Major | 3 | 9B | 128 BPM | ||
| La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Chorus, RCA Italiana Opera Orchestra, Fernando Iacopucci, Dorothy Krebill, Harold Enns, Gene Boucher, Sherrill Milnes, Thomas Jamerson, Nancy Stokes, Camillo Sforza, Franco Ruta, Flavio Tasin | C Major | 4 | 8B | 70 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | B♭ Major | 2 | 6B | 110 BPM | ||
| Verdi: La traviata: Prelude | Giuseppe Verdi, Orchestra Sinfonica di Torino della RAI, Gabriele Santini, Gabrielle Santini, Orchestra Sinfonica Di Torino Della Rai | B Major | 1 | 1B | 201 BPM | ||
| Carmen, WD 31 (Excerpts): Act I: L'amour est un oiseau rebelle (Habanera) | Georges Bizet, Herbert von Karajan, Wiener Philharmoniker | D Major | 0 | 10B | 127 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Puccini: La bohème, Act I: "Che gelida manina!" | Giacomo Puccini, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 1 | 4B | 86 BPM |