Max Richter's ' "A Duet For Three" was released on its scheduled release date, 2015. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Testament Of Youth (Original Soundtrack Album)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. A Duet For Three is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With A Duet For Three by Max Richter having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beginner's Theme Suite | Brian Reitzell, Roger Neill, Dave Palmer | E Minor | 1 | 9A | 184 BPM | ||
| Hampshire (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | C Major | 1 | 8B | 98 BPM | ||
| Autumn Music 2 | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | F♯ Major | 0 | 2B | 68 BPM | ||
| Alex & Sanni | Marco Beltrami | B Minor | 9 | 10A | 130 BPM | ||
| I'm Here | Fernando Velázquez | C Major | 2 | 8B | 84 BPM | ||
| Why Does Someone Have to Die? | Philip Glass | G Minor | 0 | 6A | 78 BPM | ||
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| Fragment | Max Richter | F♯ Major | 0 | 2B | 68 BPM | ||
| Les retrouvailles | Philippe Rombi | F Minor | 0 | 4A | 62 BPM | ||
| The Great Misunderstanding | Craig Armstrong | D♭ Minor | 0 | 12A | 88 BPM | ||
| Kite | Coby Brown | B Minor | 1 | 10A | 144 BPM | ||
| Guilty | Paul Cantelon | C Minor | 1 | 5A | 91 BPM | ||
| Bathsheba and Oak Unite | Craig Armstrong | G Major | 2 | 9B | 82 BPM | ||
| Lady Caliph: Nocturne | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | A Minor | 3 | 8A | 90 BPM | ||
| A New Day Beckons | Antony Partos | B Minor | 1 | 10A | 88 BPM | ||
| Luke and Sophia | Mark Isham | E♭ Major | 0 | 5B | 117 BPM | ||
| Footloose and Fancy Free | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| My Policeman - From the Amazon Original Motion Picture Soundtrack "My Policeman" | Steven Price | B♭ Major | 2 | 6B | 127 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
| Romance Suite (From the Motion Picture "Promising Young Woman") | Anthony Willis | E Major | 1 | 12B | 70 BPM | ||
| Prelude - Testament of Youth | Max Richter | C Minor | 0 | 5A | 93 BPM | ||
| What Maisie Knew | Nick Urata | F♯ Major | 1 | 2B | 119 BPM | ||
| Such Good Luck - From “Downton Abbey” Soundtrack | John Lunn, The Chamber Orchestra Of London | G Major | 2 | 9B | 73 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM |