"Infirmata, vulnerata: I. Infirmata, vulnerata" by Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally had its release date on October 10, 2025. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 6 out of 30 in A. Scarlatti: Stabat Mater & Mottetti by Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Thibault Noally, Les Accents. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Infirmata, vulnerata: I. Infirmata, vulnerata is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Infirmata, vulnerata: I. Infirmata, vulnerata by Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Motets à une, deux et trois voix, Op. 1: No. 15, Venite, exultemus: IV. adoremus | Nicolas Bernier, Romain Bockler, Concerto Soave | F♯ Minor | 1 | 11A | 137 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 131 BPM | ||
| Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM | ||
| Canzoni overo sonate concertate, Op. 12: No. 4, La Treccha | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21: IX. Drum danket dem Höchsten | Johann Ludwig Bach, Capella Sollertia, Johanna Soller | F♯ Minor | 1 | 11A | 100 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "In cruore tuo lotum" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Vespro della Beata Vergine, SV 206: Magnificat anima mea dominum | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Céline Scheen | B♭ Major | 1 | 6B | 71 BPM | ||
| Mache dich, mein Geist, bereit, BWV 115: IV. Aria. Bete aber auch dabei | Johann Sebastian Bach, Le Banquet Céleste, Céline Sheen | F♯ Minor | 1 | 11A | 100 BPM | ||
| VII. Dieses war auch das Verlangen | Georg Philipp Telemann, Hanna Herfurtner, Kölner Akademie, Michael Alexander Willens | E Major | 1 | 12B | 102 BPM | ||
| Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | F♯ Minor | 1 | 11A | 100 BPM | ||
| Maddalena ai piedi di Cristo: No. 6 Aria Amor Celeste "La ragione, s'un'alma conseglia" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Andreas Scholl | E Major | 2 | 12B | 80 BPM | ||
| Salve Regina: No. 3., Ad te suspiramus | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| A la fin cette bergère | Antoine Boësset, Paul Figuier, Les Bacchantes, Ronan Khalil | B Major | 1 | 1B | 74 BPM | ||
| Missa Circumcisionis, ZWV 11: Cum Sancto Spiritu | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | F♯ Minor | 1 | 11A | 100 BPM | ||
| Missa pro defunctis: VI. Agnus Dei | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 169 BPM | ||
| Ja, mir hast du Arbeit gemacht, JLB 5: VIII. Zieh, teurer Jesus, hin | Johann Ludwig Bach, Capella Sollertia, Johanna Soller | F♯ Minor | 1 | 11A | 100 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act II: Thanks to These Lonesome Vales | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | F♯ Major | 1 | 2B | 77 BPM | ||
| Messe de Minuit, H. 9: Gloria | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Randol Rodriguez, Etienne Bazola, Marie-Frédérique Girod, Caroline Weynants | C Major | 2 | 8B | 94 BPM | ||
| Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
| Requiem in F Minor, C 8: Ia. Introitus | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 180 BPM | ||
| Die Jahreszeiten, Hob. XXI:3, Der Frühling: IIIb. Arie: Schon eilet froh der Akkermann (Simon) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Matthias Winckhler, Le Concert Des Nations | C Major | 1 | 8B | 170 BPM | ||
| Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: “Per pietà, turba feroce” | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Nisi Dominus, ZWV 92: Nisi Dominus - World Premiere Recordings | Jan Dismas Zelenka, Ensemble Inégal, Prague Baroque Soloists, Adam Viktora, Gabriela Eibenová, Filippo Mineccia, Tobias Hunger, Jiri Miroslav Prochazka | A♭ Minor | 3 | 1A | 112 BPM | ||
| Diporte di Euterpe, Op. 7: No. 9, Tradimento! | Barbara Strozzi, Laura Catrani, Accademia dell'Annunciata, Riccardo Doni | F♯ Minor | 1 | 11A | 100 BPM | ||
| Miserere in C minor: Sicut erat | Thomas Hengelbrock | E Major | 1 | 12B | 102 BPM |