"Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Tourna Maletestino. Io non voglio vederlo. (Francesca, Malatestino, Gianciotto)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Kenneth Riegel, Philippe Roillon had its release date on 1994. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #9 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. In terms of popularity, Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Tourna Maletestino. Io non voglio vederlo. (Francesca, Malatestino, Gianciotto) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Tourna Maletestino. Io non voglio vederlo. (Francesca, Malatestino, Gianciotto) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Kenneth Riegel, Philippe Roillon has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Tourna Maletestino. Io non voglio vederlo. (Francesca, Malatestino, Gianciotto) being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La traviata / Act 2: "Non sapete quale affetto" | Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 119 BPM | ||
| Puccini: Turandot, Act 2: "O Cina, che or sussulti" (Ping, Coro, Pong, Pang) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 1 | 6A | 117 BPM | ||
| Tosca, Act II: Ov'è Angelotti? – Mario, tu qui? | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Matteo Macchioni, Ludovic Tezier, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Simon Boccanegra: Prologo: A te l'estremo addio (Fiesco) | Giuseppe Verdi, Michele Pertusi, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | F♯ Major | 1 | 2B | 79 BPM | ||
| Bellini: I puritani: "Ah! per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Bellini: I puritani: "Ma tu già mi fuggi?" (Elvira, Bruno, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Turandot / Act 1: La grazia, Principessa! - O divina bellezza (Coro / Calaf) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 2 | 1B | 82 BPM | ||
| Manon Lescaut / Act 1: Non c'è più vino? | Giacomo Puccini, Dwayne Croft, Luciano Pavarotti, Mirella Freni, Metropolitan Opera Orchestra, James Levine | D♭ Major | 3 | 3B | 98 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| Rossini: Soirées musicales: No. 1, La promessa | Gioachino Rossini, Rockwell Blake, Antonio Pappano | F♯ Major | 1 | 2B | 79 BPM | ||
| Verdi: Otello: Atto Primo: Fuoco di gioia! | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale Di Santa Cecilia | E Minor | 1 | 9A | 127 BPM | ||
| Macbeth / Act 2: Gran Scena: "Studia il passo, o mio figlio!" | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Major | 1 | 12B | 88 BPM | ||
| Simon Boccanegra / Act 1: Messeri, il re di Tartaria (Doge, Paolo, Pietro, Gabriele, AMelia, Fiesco, Coro) | Giuseppe Verdi, Piero Cappuccilli, José Carreras, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Major | 3 | 6B | 136 BPM | ||
| Giménez: La tempranica: Canción. "Sierras de Granada" | Geronimo Gimenez, Victoria de los Ángeles, Coro de Cámara del Real, Rafael Frühbeck de Burgos, Orquesta Nacional De España | D Major | 1 | 10B | 75 BPM | ||
| Manon Lescaut / Act 3: Ansia eterna, crudel | Giacomo Puccini, Luciano Pavarotti, Dwayne Croft, Mirella Freni, Metropolitan Opera Orchestra, James Levine | A Minor | 1 | 8A | 86 BPM | ||
| Francesca da Rimini, Op. 4, Act II: Questo cimento | Riccardo Zandonai, Christina Vasileva, Martin Mühle, Freiburger Kammerchor, Vokalensemble der Hochschule für Musik Freiburg, Extrachor des Theater Freiburg, Opernchor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Major | 4 | 10B | 96 BPM | ||
| Cavalleria rusticana: "Dite, mamma Lucia" | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Major | 10 | 12B | 134 BPM | ||
| L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
| Puccini: Tosca, Act 2: "Tosca è un buon falco!" (Scarpia, Sciarrone) | Giacomo Puccini, Victor de Sabata, Dario Caselli, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 111 BPM | ||
| Francesca da Rimini, Act III: Perchè volete voi ch'io rinnovi (Live) | Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Renato Cioni, Leyla Gencer, Franco Capuana | E Major | 2 | 12B | 77 BPM | ||
| Bro: la chiesetta triste | Riccardo Zandonai, Gianandrea Gavazzeni | D Major | 1 | 10B | 74 BPM | ||
| Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
| Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM |